A VERY RARE EARLY MING GILT-BRONZE CENSER
A VERY RARE EARLY MING GILT-BRONZE CENSER

MING DYNASTY, 15TH CENTURY

Details
A VERY RARE EARLY MING GILT-BRONZE CENSER
MING DYNASTY, 15TH CENTURY
The shallow rounded sides sturdily cast rising to a stepped everted rim beneath which a raised band encircles the vessel above twin arching handles finely detailed in relief with draped lines ending in ruyi heads, all supported on three waisted bulbous feet cast in low relief with stylised archaistic masks, the base incised with a double vajra
7 3/4 in. (19.7 cm.) across the handles
Provenance
Captain, W. E. Frank Jones D.F.C., C.A.C., one of China's first Air Advisers and Air Route Pilots, flying China's original Air Mail in 1921; advisor to the Chinese Government in Beijing during the 1930's
Exhibited
Chinese Science and Arts Exhibition, Ataomere Hotel Hall, Bornemouth, England, May, 1939

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Lot Essay

The present censer is most closely comparable to cloisonne censers of very similar form dated to the early 15th century. Compare with two cloisonne examples of very similar form and dated to the early 15th century illustrated by H. Garner, Chinese and Japanese Cloisonne Enamels, Oxford, 1977, pls. 19A and 17A. Another early 15th century cloisonne example of related form with identical lion masks adorning the feet was sold at Christie's London, 14-16th December 1983, lot 353.
The fine, solid casting of the vessel coupled with the Buddhist imagery of the double vajra on the base further corroborate a Yongle or Xuande dating for this censer.

It is clear that Emperor Yongle was a fervent supporter of Buddhism, as indicated by literary sources, and by the numerous ceramics of the period with Buddhist references, or decorated with Buddhist motifs. He also had strong ties to the Mongol military elite, who were adherents of Lamaist Buddhism and it appears that he continued to practice this form of Buddhism throughout his lifetime. The succeeding Xuande emperor was equally devout and during his reign the number of Tibetan lamas who came to reside in the monasteries in the Chinese capital rose to record numbers. The Yongle and Xuande emperors commissioned gilt bronzes images and ritual objects of this type both for personal religious practice and as gifts for the Tibetan religious emissaries whose Vajrayana Buddhism they followed.

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