Roy Lichtenstein’s sculptures extended his graphic style into three dimensions, transforming his signature comic book aesthetic into tangible, playful forms. Using painted bronze, stainless steel and enamel, he created sculptures that mimicked the flatness of his paintings while retaining depth and movement. Works like Brushstroke (1996) and Head with Blue Shadow (1965) brought his dynamic lines and Ben-Day dots into physical space, challenging perceptions of volume and representation. Lichtenstein also reinterpreted classical art motifs, turning Greco-Roman busts and architectural elements into bold, cartoon-like sculptures. His sculptural works maintained the same ironic and visually striking quality as his paintings, reinforcing his role as a pioneer of Pop Art.