Jan Josefsz. van Goyen Leiden 1596-1656 The Hague
PROPERTY FROM THE COLLECTION OF JACQUES GOUDSTIKKER
Jan Josefsz. van Goyen Leiden 1596-1656 The Hague

Fortifications and a windmill along a river

Details
Jan Josefsz. van Goyen Leiden 1596-1656 The Hague
Fortifications and a windmill along a river
indistinctly signed (lower right)
oil on paper laid down on panel
10 3/8 x 16¼ in. (26.4 x 41.3 cm.)
Provenance
Anonymous sale; Paris, 27 March 1884, lot 29 (1,250 Frs. to Colnaghi).
Charles T.D. Crews Esq., D.L., J.P., F.S.A. (b. 1839), Billingbear Park, Wokingham, Berkshire; (+), Christie's, London, 1 July 1915, lot 28 (36 gns. to Colnaghi).
Anonymous sale; Frederik Muller, Amsterdam, 28 November 1916, lot 45. Anonymous sale; Frederik Muller, Amsterdam, 27 November 1917, lot 46.
Anonymous sale; Frederik Muller, Amsterdam, 9 May 1933, lot 25.
J. Teixeira de Mattos, Amsterdam.
Tilanus.
with Jacques Goudstikker, Amsterdam, 1934.
Looted by the Nazi authorities, July 1940.
Recovered by the Allies, 1945.
in the custody of the Dutch Government.
Restituted in February 2006 to the heir of Jacques Goudstikker.
Literature
C. Hofstede de Groot, Beschreibendes u. kritisches Verzeichnis der Werke der hervorragendsten Holländischen Maler des XVII Jahrhunderts, VIII, Esslingen, Paris, 1923, nos. 987, 991.
Dr. H.U. Beck, Jan van Goyen 1596-1656: Ein Oeuvreverzeichnis in zwei Bänden, I: 'Einführung, Katalog der Handzeichnungen', II: 'Katalog der Gemälde', Amsterdam, 1972/3, p. 126, no. 260, illustrated.
Old Master Paintings: An illustrated summary catalogue, Rijksdienst Beeldende Junst (The Netherlandish Office for the Fine Arts), The Hague, 1992, p. 110, no. 833, illustrated.
Exhibited
Gouda, Stedelijk Museum, on loan.

Lot Essay

Fortifications and a windmill along a river belongs to a group of small-scale late works, dating from the early 1650s, painted by van Goyen on paper. This medium seems to have suited well the artist's last tonal phase of landscape painting in which he employed a distinctly brown monochrome in his palette. These works, roughly uniform in size, have the spontaneity and atmosphere found in his best drawings and depict tranquil and incidental scenes along the waterways of the Netherlands. In fact there are close parallels in the techniques he uses in his drawings of this date in which he often brushed over the chalk outlines with brown wash.

In the present work, groups of fishermen in rowing boats tend to their nets near a complex of fortified buildings including a windmill. The delightful details of the figures and the beautifully balanced composition built up through varying degrees of tonal depth reveal van Goyen's specifically Dutch style of landscape painting that emphasized tonality and realism.

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