Circle of Giambattista Pittoni Venice 1687-1767
PROPERTY FROM THE COLLECTION OF JACQUES GOUDSTIKKER
Circle of Giambattista Pittoni Venice 1687-1767

Saint Elizabeth of Thuringia distributing alms

Details
Circle of Giambattista Pittoni Venice 1687-1767
Saint Elizabeth of Thuringia distributing alms
oil on canvas
30¼ x 17 3/8 in. 76.8 x 44.1 cm.
Provenance
G. Röchlitz, Luik.
with Jacques Goudstikker, Amsterdam, 1927.
Looted by the Nazi authorities, July 1940.
Recovered by the Allies, 1945.
in the custody of the Dutch Government.
Restituted in February 2006 to the heir of Jacques Goudstikker.
Literature
Old Master paintings: An illustrated summary catalogue, Rijksdienst Beelende Kunst (The Netherlandish Office for the Fine Arts), The Hague, 1992, p. 239, no. 2066 (illustrated as 'Copy after Pittoni').
B. Aikema, et al, A Corpus of Italian Paintings from the Seventeenth and Eighteenth Centuries in Dutch Public Collection, Florence, 1997, no. 129.
B. Schwarz, Hitlers Museum. Die Fotoalben Gemäldegalerie Linz Dokumente zum 'Fürermuseum', Wien, 2004, p. 121, p. 258, V 37a.
Exhibited
Amsterdam, Stedelijk Museum, Italiaansche kunst in Nederlands bezit, July-October 1934, no. 289.
Rotterdam, Rotterdamsche Kunstring, Catalogue de la Collection Goudstikker d'Amsterdam, 11-26 June 1927, no. 54.
Rome, Embassy of the Kingdom of The Netherlands, on loan.

Lot Essay

This picture is one of a number of versions, in reduced format, after the large altarpiece, signed by Pittoni and inset into a baroque polychrome marble surround, in the Schlosskirche at Bad Mergentheim, near Württemberg (see F. Zava Boccazzi, Pittoni l'opera completa, Venice, 1979, no. 4, pp. 111-2, fig. 351). Another version, of similar size to the present picture, is in the Museum of Fine Art, Budapest (ibid., no. 37, p. 122, fig. 352). It depicts Saint Elisabeth of Thuringia (1207-1231) distributing bread to the poor during the terrible famine of 1226. Elisabeth was canonized by Pope Gregory IX in 1235 and her shrine at the Elisabthkirche, Marburg became a major pilgrimage site throughout the later middle ages.

An attribution to Anton Kern (Bohemia 1709 - Dresden 1747) can be considered. Kern worked in the workshop of Pittoni and the tonality suggests a German artist.

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