Alfred Wallis (1855-1942)
VAT rate of 5% is payable on hammer price and at 1… Read more PROPERTY FROM THE ESTATE OF MARGARET GARDINER, O.B.E.
Alfred Wallis (1855-1942)

Yacht (recto); Mastless boat, Dinghy and Lighthouse (verso)

Details
Alfred Wallis (1855-1942)
Yacht (recto); Mastless boat, Dinghy and Lighthouse (verso)
signed 'Alfred Wallis' (upper right, recto and verso)
pencil and oil on board
7 x 10¾ in. (17.8 x 27.3 cm.), shaped
Provenance
H.S. (Jim) Ede, from whom acquired by the present owner.
Literature
Exhibition catalogue, Alfred Wallis, London, Arts Council, Tate Gallery, 1968, no. 145, illustrated.
Exhibited
London, Arts Council, Tate Gallery, Alfred Wallis, May - June 1968, no. 145: this exhibition travelled to York, City Art Gallery; Aberdeen, Art Gallery; and Kendal, Abbot Hall Art Gallery,
Special Notice
VAT rate of 5% is payable on hammer price and at 15% on the buyer's premium

Lot Essay

Margaret Gardiner (1904-2005) was a writer, an adopter of political causes, a founder of the ICA and a notable patron of the arts. From the 1930s onwards she built up a large and significant group of pictures and sculpture by artist-friends of hers including Barbara Hepworth, Naum Gabo, Terry Frost, Kenneth Armitage, Patrick Heron, Peter Lanyon, Roger Hilton, Alfred Wallis and Ben Nicholson among others. In the early days of their struggles for recognition she acquired these through purchase and later as gifts from the artists. She fell in love with Orkney during a visit in the 1950s and she bought a small croft on the island of Rousay which she continued to visit well into her nineties. In 1978 she donated her by then highly valuable art collection of mainly St Ives and Cornish art to the people of Orkney in return for all the pleasure of time spent on Rousay. It is now assembled and on view to the public in two 18th Century buildings at the Pier Art Centre, Stromness, which opened in July 1979.

Wallis rarely used traditional artists' materials, favouring found objects such as discarded boxes, and using household and ship paints. In the present work he has, unusually, used both sides of the board.

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