Lot Essay
The present work belongs to a series of Fish Charm pictures that Davie painted in 1965. Alan Bowness comments, 'The fish has an inevitable Christian reference, and this is confirmed in the Fish Charm pictures, of 1965, by its association with the Egyptian symbol of life, which also suggests both the phallus and the Christian cross. Such a multi-evocative use of symbols is very characteristic' (see A. Bowness (ed.), op. cit., p. 174).
In an interview with Iain Gale, Davie talked about the symbols that became more apparent in his work from the mid-1960s: 'I realised you didn't have to have wild paint on a picture to make it a dynamic object. There is an incredible source of creative energy within oneself - an archetypal imagery within. Jung had the same idea: all sorts of symbols which one recognises without having to know what they mean. You find the same symbols in different cultures from all over the world from Australian Aborigines or Pictish tribes to Caribbean Indians' (see 'Tales of man, myth and magic', The Independent, 18 May 1993).