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Property from the Collection of William and Eleanor Wood Prince, Chicago, Illinois
Attributed to Philips Wouwerman Haarlem 1619-1668
Washerwomen and a traveler on a river bank
Details
Attributed to Philips Wouwerman Haarlem 1619-1668
Washerwomen and a traveler on a river bank
with artist's monogram (lower left)
oil on panel
10 7/8 x 12½ in. 27.7 x 31.7 cm.
WOOD PRINCE COLLECTION
Washerwomen and a traveler on a river bank
with artist's monogram (lower left)
oil on panel
10 7/8 x 12½ in. 27.7 x 31.7 cm.
WOOD PRINCE COLLECTION
Provenance
Choiseul-Praslin; sale, A.-J. Paillet, Paris, 18 February 1793, to President Haudry (5511 francs).
Anonymous sale; H. Muilman, Amsterdam, 12 April 1813, lot 185 (2225 florins).
Prince de Talleyrand; sale, Paris, 7 July 1817, lot 46, the collection was bought before the sale by W. Buchanan.
with W. Buchanan, London.
Alexander Baring, 1st Baron Ashburton, The Grange, by 1829, thence by descent; sale, the contents of The Grange, August 1907, to
Agnew's, London.
Anonymous sale; H. Muilman, Amsterdam, 12 April 1813, lot 185 (2225 florins).
Prince de Talleyrand; sale, Paris, 7 July 1817, lot 46, the collection was bought before the sale by W. Buchanan.
with W. Buchanan, London.
Alexander Baring, 1st Baron Ashburton, The Grange, by 1829, thence by descent; sale, the contents of The Grange, August 1907, to
Agnew's, London.
Literature
W. Buchanan, Memoirs of Painting, London, 1824, II, p. 346, no. 46. G.F. Waagen, Treasures of Art in Great Britain, London, 1854, II, letter XV, p. 109, under Wouwerman no. 2.
C. Blanc, Le Trésor de la Curiosité, Paris, 1857, II, pp. 162-63.
C. Hofstede de Groot, A Catalogue Raisonné of the works of the most eminent Dutch painters of the seventeenth century, Cambridge, 1976, II, p. 368, no. 396, as 'Wouwermans'.
C. Blanc, Le Trésor de la Curiosité, Paris, 1857, II, pp. 162-63.
C. Hofstede de Groot, A Catalogue Raisonné of the works of the most eminent Dutch painters of the seventeenth century, Cambridge, 1976, II, p. 368, no. 396, as 'Wouwermans'.
Exhibited
London, Royal Academy, 1871, no. 213.