Kamenaga Goro (1890-1955)

Ogi tori (Fan-tossing), 1926

Details

Kamenaga Goro (1890-1955)
Ogi tori (Fan-tossing), 1926
Sealed Goro and Kame
Two-panel screen; ink, color and gold on silk
73 3/8 x 78¾in. (186 x 200cm.)

Provenance

Hosokawa Rikizo Collection
Meguro Gajoen Museum, Tokyo
Previously sold in these Rooms, 29 March 2005, lot 372

Literature

PUBLISHED:
Nittenshi hensan iinkai (Nittenshi ed. staff), ed., Teiten hen 2 (Teiten [Exhibition of the Imperial Academy of Fine Arts], vol. 2), vol. 7 of Nittenshi (History of the Nitten [Japanese Art Exhibition]) (Tokyo: Korinsha, 1982), p. 369, fig. 68.
Hosono Masanobu et al., Kindai no bijinga: Meguro Gajoen korekushon/Paintings of Japanese Beauties at the Turn of the Century (Kyoto: Kyoto shoin, 1988), pl. 46.
Karatsu City Modern Library, ed., Meguro Gajoen bijutsukan korekushon ni yoru: Kindai Nihonga ni miru bijinga (Modern Japanese-style beauty painting from the collection of the Meguro Gajoen Museum), exh. cat. (Karatsu: Karatsu City Modern Library, 1999), pl. 6.

Exhibited

Tokyo, "Teikoku Bijutsuin dai nanakai bijutsu tenrankai" (7th Exhibition of the Imperial Academy of Fine Arts) [7th Teiten], 1926
Karatsu City Modern Library Art Hall (Karatsu shi kindai toshokan bijutsu horu), "Meguro Gajoen bijutsukan korekushon ni yoru: Kindai Nihonga ni miru bijinga" (Modern Japanese-style beauty painting from the collection of the Meguro Gajoen Museum), 1999.11.14--12.13

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Lot Essay

The artist specialized in paintings of customs of the Keicho and Kan'ei eras (late 16th and early 17th century). Here, two women in period dress are playing a fan-tossing game.

Goro was a pupil of Kaburagi Kiyokata. This 1926 painting was his first submission to a national juried exhibition and is probably one of his earliest works. He submitted a painting titled Snow to the 10th Teiten exhibition. He also decorated rooms in the Meguro Gajoen, discussed in lot 63.

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