Performance Still (Roadworks)
Details
MONA HATOUM (B. 1952)
Performance Still (Roadworks)
gelatin silver print mounted on aluminum
30 x 42½ in. (76.5 x 108 cm.)
Executed in 1985-1995. This work is number fourteen from an edition of fifteen.
Performance Still (Roadworks)
gelatin silver print mounted on aluminum
30 x 42½ in. (76.5 x 108 cm.)
Executed in 1985-1995. This work is number fourteen from an edition of fifteen.
Provenance
Jay Jopling, London
Literature
Adler, G. Brett and C. de Zegher, Mona Hatoum, London 1997, pp. 49-50 (illustrated).
P. Pignet, "Marcher pour tre au monde," L'oeil, no. 518, July-August 2000, p. 59 (illustrated).
P. Pignet, "Marcher pour tre au monde," L'oeil, no. 518, July-August 2000, p. 59 (illustrated).
Exhibited
London, White Cube, Socle Du monde, January-February 1995 (another example exhibited).
Paris, Galerie Chantal Crousel, Short Space, August 1995 (another example exhibited).
Humlebaek, Louisiana Museum of Modern Art, Nowhere, May-September 1996, p. 37 (illustrated, another example exhibited).
Marseille, Museé d'Art Contemporain, L'Art au corps le corps exposé de Man Ray é nos jours, July-October 1996, p. 317 (illustrated, another example exhibited).
Graz, Austria, Sterischer Herbst, Inclusion: Exclusion, September-October 1996, p. 222 (illustrated, another example exhibited).
Tokyo, Setagaya Art Museum, De Genderism: Detruire Dit-Elle/Il, February-March 1997, p. 61 (illustrated, another example exhibited).
Chicago, The Museum of Contemporary Art; New York, The New Museum of Contemporary Art, Mona Hatoum, July 1997-February 1998, p. 24 (illustrated, another example exhibited).
Munich, Sammlung Goetz, Art From The U.K, October 1997-February 1998, p. 94 (illustrated, another example exhibited).
Torino, Castello di Rivoli, Museé d'Art Contemporain, Mona Hatoum, March 1998-May 1999, p. 32 (illustrated, another example exhibited).
Hamburg, Deichtorhallen, Emotion: Young British And American Art from the Goetz Collection, October 1998-January 1999, p. 50 (illustrated, another example exhibited).
Antibes, Museé Picasso, Les figures de la marche, July 2000-January 2001, p. 259 (illustrated, another example exhibited).
Copenhagen, Arken Museum For Moderne Kunst, Man-Body in Art from 1950-2000, September 2000-January 2001, p. 135 (illustrated, another example exhibited).
Tel Aviv Museum of Art, On the Edge-New Art From Private Collections in France, November 2000-January 2001, p. 259 (illustrated, another example exhibited).
Paris, Galerie Chantal Crousel, Short Space, August 1995 (another example exhibited).
Humlebaek, Louisiana Museum of Modern Art, Nowhere, May-September 1996, p. 37 (illustrated, another example exhibited).
Marseille, Museé d'Art Contemporain, L'Art au corps le corps exposé de Man Ray é nos jours, July-October 1996, p. 317 (illustrated, another example exhibited).
Graz, Austria, Sterischer Herbst, Inclusion: Exclusion, September-October 1996, p. 222 (illustrated, another example exhibited).
Tokyo, Setagaya Art Museum, De Genderism: Detruire Dit-Elle/Il, February-March 1997, p. 61 (illustrated, another example exhibited).
Chicago, The Museum of Contemporary Art; New York, The New Museum of Contemporary Art, Mona Hatoum, July 1997-February 1998, p. 24 (illustrated, another example exhibited).
Munich, Sammlung Goetz, Art From The U.K, October 1997-February 1998, p. 94 (illustrated, another example exhibited).
Torino, Castello di Rivoli, Museé d'Art Contemporain, Mona Hatoum, March 1998-May 1999, p. 32 (illustrated, another example exhibited).
Hamburg, Deichtorhallen, Emotion: Young British And American Art from the Goetz Collection, October 1998-January 1999, p. 50 (illustrated, another example exhibited).
Antibes, Museé Picasso, Les figures de la marche, July 2000-January 2001, p. 259 (illustrated, another example exhibited).
Copenhagen, Arken Museum For Moderne Kunst, Man-Body in Art from 1950-2000, September 2000-January 2001, p. 135 (illustrated, another example exhibited).
Tel Aviv Museum of Art, On the Edge-New Art From Private Collections in France, November 2000-January 2001, p. 259 (illustrated, another example exhibited).
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