Lot Essay
The first state of this magical print concentrates on the central stand of trees, done quickly in drypoint, probably outside. It seems almost to float, and is anchored only by a few sketchy lines and careful use of polishing scratches and surface tone. In the second state Rembrandt tightened the focus by reducing the plate horizontally below. He also completed the foliage and added the signature, work that was probably done in the studio.
'Using the same instrument throughout, the drypoint needle, he produced in this, probably his last landscape print, one of the great masterpieces of the medium.' (Christopher White, Rembrandt as an Etcher, London, 1969.)
'Using the same instrument throughout, the drypoint needle, he produced in this, probably his last landscape print, one of the great masterpieces of the medium.' (Christopher White, Rembrandt as an Etcher, London, 1969.)