Property from a Private American Collection 
Maxfield Parrish (1870-1966)

Two Cooks Peeling Potatoes

Details
Maxfield Parrish (1870-1966)
Two Cooks Peeling Potatoes
signed with initials 'M P' (lower center)--signed, dated and inscribed 'Heading/"The Knave of Hearts."/Maxfield Parrish./1925' (on the reverse)
oil on board
9¼ x 20 in. (23.5 x 50.8 cm.)
Provenance
American Illustrators Gallery, New York.
Acquired by the present owner from the above, 1995.
Literature
L. Saunders, The Knave of Hearts, New York, 1925, p. 33, illustrated.
C. Ludwig, Maxfield Parrish, New York, 1973, p. 206, no. 708.
L.S. Cutler and J.G. Cutler, Maxfield Parrish: A Retrospective, San Francisco, California, 1995, p. 126, illustrated.
L.S. Cutler and J.G. Cutler, Maxfield Parrish: A Retrospective, exhibition catalogue, Tokyo, Japan, 1995, pp. 127, 167, no. 74, illustrated (as Knave of Hearts, Two Cooks Peeling Potatoes).
Exhibited
Tokyo, Japan, Isetan Museum of Art, and elsewhere, Maxfield Parrish: A Retrospective, April 20-May 16, 1995, no. 74 (as Knave of Hearts, Two Cooks Peeling Potatoes).

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

The present work is one of twenty-six paintings that Maxfield Parrish painted as illustrations for Louise Saunder's The Knave of Hearts, which was his final book commission. Originally written as a play for children and performed at the Cornish, New Hampshire summer colony where Parrish and Saunders were neighbors, Parrish saw great potential in transforming the story into a book, writing to Charles Scribner's Sons in 1920, "The reason I wanted to illustrate The Knave of Hearts was on account of the bully opportunity it gives for a very good time making the pictures. Imagination could run riot, bound down by no period, just good fun and all sorts of things." (as quoted in S. Yount, Maxfield Parrish 1870-1966, Philadelphia, Pennsylvania, 1999, pp. 86-88) Indeed, the illustrations for the book, published in 1925, are some of Parrish's richest and most innovative.

More from Important American Paintings, Drawings and Sculpture

View All
View All