Details
Morris Louis (1912-1962)
No. 1-37
acrylic on canvas
79¾ x 11¾ in. (202.5 x 29.8 cm.)
Painted in 1962.
Provenance
Park International, New York
Kasmin, Ltd., London
Galerie Renée Ziegler, Zurich
Galerie Alfred Schmela, Dusseldorf
David Mirvish Gallery, Toronto
Agnès Lefort Gallery, Montreal
Private collection, Montreal, acquired from the above, 1969
Their sale; Christie's, New York, 15 May 2003, lot 135
Acquired from the above by the present owner
Literature
D. Upright, Morris Louis: The Complete Paintings, New York, 1985, pp. 187 and 239, no. 602 (illustrated in color).
Exhibited
New York, Museum of Modern Art; London, Tate Gallery; Paris, Centre National d'Art Contemporain; Zurich, Kunsthaus Zurich, The Art of the Real USA 1948-1968, July-September 1968.

Lot Essay

"The late Mr. Louis's paintings happen more in the eye than on the canvas. Their importance lies in the fact that they precisely define the capacities of the eye to separate, combine and resolve colors in a sharply controlled situation... the eye is the organ on which the artist plays... Mr. Louis's method of conjugating his color bands could be called a sort of color grammar. These last works are tighter and more precise, the grammar is more knowing, the conjugations are more controlled..." (Brian O'Doherty in a review of the 1961 André Emmerich show, D. Upright, Morris Louis The Complete Paintings, New York, p. 32).

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