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Heilandsgesicht, Dornenkrone
Details
Alexej von Jawlensky (1864-1941)
Heilandsgesicht, Dornenkrone
signed with the initials 'A.j.' (lower left); signed, dated and inscribed 'A.Jawlensky. 1918 N.119. H.G.' (on the reverse)
oil on cardboard
15¾ x 12 in. (40 x 30.5 cm.)
Painted in 1918
Heilandsgesicht, Dornenkrone
signed with the initials 'A.j.' (lower left); signed, dated and inscribed 'A.Jawlensky. 1918 N.119. H.G.' (on the reverse)
oil on cardboard
15¾ x 12 in. (40 x 30.5 cm.)
Painted in 1918
Provenance
The artist's estate.
Galerie Alex Vömel, Dusseldorf, by 1958.
Acquired from the above by the father of the present owner and thence by descent.
Galerie Alex Vömel, Dusseldorf, by 1958.
Acquired from the above by the father of the present owner and thence by descent.
Literature
The artist's Cahier noir, p. 26 (as 'Dunkler Kopf mit einem Punkt auf der Stirn').
C. Weiler, Alexej Jawlensky, Cologne, 1959, no. 249 (illustrated in colour p. 105).
C. Weiler, Alexej Jawlensky: Köpfe, Gesichte, Meditationen, Hanau, 1970, no. 311 (titled 'Nacht', illustrated in colour pl. 12).
G. Leinz, Die Deutsche Malerei, Freiburg, 1984, p. 214 (illustrated).
G. Leinz, Die Malerei des 20.Jahrhunderts, Freiburg, 1988, p. 83 (illustrated).
M. Jawlensky, L. Pieroni-Jawlensky & A. Jawlensky, Alexej von Jawlensky, Catalogue Raisonné of the Oil Paintings, vol. II, 1914-1933, London, 1992, no. 996 (illustrated p. 243).
C. Weiler, Alexej Jawlensky, Cologne, 1959, no. 249 (illustrated in colour p. 105).
C. Weiler, Alexej Jawlensky: Köpfe, Gesichte, Meditationen, Hanau, 1970, no. 311 (titled 'Nacht', illustrated in colour pl. 12).
G. Leinz, Die Deutsche Malerei, Freiburg, 1984, p. 214 (illustrated).
G. Leinz, Die Malerei des 20.Jahrhunderts, Freiburg, 1988, p. 83 (illustrated).
M. Jawlensky, L. Pieroni-Jawlensky & A. Jawlensky, Alexej von Jawlensky, Catalogue Raisonné of the Oil Paintings, vol. II, 1914-1933, London, 1992, no. 996 (illustrated p. 243).
Exhibited
Dusseldorf, Galerie Alex Vömel, November - December 1958, no. 10.
Munich, Städtische Galerie im Lenbachhaus, 1964, no. 101 (illustrated).
Braunschweig, Kunstverein in Braunschweig, Bilder aus den Jahren 1916-1938, September - November 1965, no. 15 (illustrated).
Frankfurt, Kunstverein, September - October 1967, no. 38 (illustrated); this exhibition later travelled to Hamburg, Kunstverein.
Munich, Haus der Kunst, Europäischer Expressionismus, March - May 1970, no. 94 (illustrated); this exhibition later travelled to Paris, Musée d'Art Moderne.
Dusseldorf, Kunsthalle und Kunstverein für die Rheinlande und Westfalen, Bilder sind nicht verboten, August - October 1982, no. 73 (illustrated p. 184).
Munich, Städtische Galerie im Lenbachhaus, February - April 1983, no. 159 (illustrated p. 259); this exhibition later travelled to Baden-Baden, Staatliche Kunsthalle.
On loan to the Städtische Galerie im Lenbachhaus, Munich.
Munich, Städtische Galerie im Lenbachhaus, 1964, no. 101 (illustrated).
Braunschweig, Kunstverein in Braunschweig, Bilder aus den Jahren 1916-1938, September - November 1965, no. 15 (illustrated).
Frankfurt, Kunstverein, September - October 1967, no. 38 (illustrated); this exhibition later travelled to Hamburg, Kunstverein.
Munich, Haus der Kunst, Europäischer Expressionismus, March - May 1970, no. 94 (illustrated); this exhibition later travelled to Paris, Musée d'Art Moderne.
Dusseldorf, Kunsthalle und Kunstverein für die Rheinlande und Westfalen, Bilder sind nicht verboten, August - October 1982, no. 73 (illustrated p. 184).
Munich, Städtische Galerie im Lenbachhaus, February - April 1983, no. 159 (illustrated p. 259); this exhibition later travelled to Baden-Baden, Staatliche Kunsthalle.
On loan to the Städtische Galerie im Lenbachhaus, Munich.
Special Notice
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Brought to you by
Cornelia Svedman
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