Auguste Rodin (1840-1917)
Auguste Rodin (1840-1917)

Jeunesse triomphante

Details
Auguste Rodin (1840-1917)
Jeunesse triomphante
signed 'A. Rodin' (on the front of the base); bears initials and dedication (on the right side of the base); stamped with foundry mark and inscribed 'THIEBAULT FS PARIS FUMIERE ET CIE SUCRS 1 ère Epreuve dorée' (on the left side of the base)
bronze with reddish brown patina
Height: 20 5/8 in. (52.3 cm.)
Conceived in 1894; this bronze version cast in 1915
Provenance
Loïe Fuller, Paris (1915).
Anon. sale, Trosby Galleries, Palm Beach, 13 June 1971.
Acquired at the above sale by the present owner.
Literature
A. Maillard, Auguste Rodin, Statuaire: Etudes sur quelques artistes originaux, Paris, 1899, p. 141 (plaster version illustrated; titled La parque et la jeune fille).
G. Grappe, Catalogue du Musée Rodin, Paris, 1944, p. 92.
I. Jianou and C. Goldscheider, Rodin, Paris, 1967, p. 106.
A.T. Spear, A Supplement to Rodin Sculpture in the Cleveland Museum of Art, Cleveland, 1974, no. 132S.
J.L. Tancock, The Sculpture of Auguste Rodin, Philadelphia, 1976, pp. 225-226, no. 26 (another cast illustrated, p. 227).
J. de Caso and P.B. Sanders, Rodin's Sculpture, A Critical Study of the Spreckels Collection, San Francisco, 1977, pp. 55-58, no. 3 (another cast illustrated, p. 54).
A.E. Elsen, In Rodin's Studio, New York, 1980, pp. 171-172, no. 50 (plaster version illustrated).
L. Ambrosini and M. Facos, Rodin, The Cantor Gift to the Brooklyn Museum, New York, 1987, p. 88, no. 22 (another cast illustrated, p. 89).
A.E. Elsen, Rodin's Art, The Rodin Collection of the Iris & B. Gerald Cantor Center for the Visual Arts at Stanford University, New York, 2003, p. 223, no. 52 (other casts illustrated, pp. 223-224).
A. Le Normand-Romain, The Bronzes of Rodin, Catalogue of Works in the Musée Rodin, Paris, 2007, vol. II, pp. 472-473, no S. 2474 (another cast illustrated).

Brought to you by

David Kleiweg de Zwaan
David Kleiweg de Zwaan

Lot Essay

This work will be included in the forthcoming Auguste Rodin catalogue critique de l'oeuvre sculpté currently being prepared by the Comité Rodin at Galerie Brame et Lorenceau under the direction of Jérôme Le Blay under the archive number 2010-3228B.

The present lot was cast in a special edition of at least five lost wax casts commissioned in 1915 to the Fumière & Cie, Thiébaut Frères foundry by Loïe Fuller, an American dancer who captivated Parisian audiences in the late 19th century with her innovative use of lighting, silk drapes and dance. Fuller's pioneering work in the field of dance attracted the attention, respect and friendship of many French artists including Auguste Rodin and Henri de Toulouse-Lautrec. Fuller is largely responsible for bringing Rodin's art to the attention of American collectors and scholars in the early 20th century. According to correspondence between Georges Grappe, curator of the Musée Rodin and Charles Fumière, former head of the Fumière foundry, Fuller intended for these casts to be given as gifts to important patrons of a project in San Francisco referred to at the time as the Musée de la Pensée et de l'Habileté.

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