Details
Gaston Lachaise (1882-1935)
Head of a Woman
stamped 'LACHAISE/ESTATE/3/6' (along the base)
bronze with golden brown patina
10½ in. (26.7 cm.) high on a lucite base 4 in. (10.2 cm.) high
Modeled in 1922.
Provenance
Robert Schoelkopf Gallery, New York.
Mr. and Mrs. John Sawyer, London, Ohio, acquired from the above, 1966.
Acquired by the present owner from the above.
Literature
D.B. Goodall, Gaston Lachaise: Sculptor, Ph.D. dissertation, Harvard University, Cambridge, Massachusetts, 1969, vol. 1, pp. 87, 427, 428, 537, notes 13, 569; vol. 2, pp. 419-20, 468, pl. LXIX, plaster model illustrated.
Gaston Lachaise, Portrait Sculpture, exhibition catalogue, Washington, D.C., 1985, pp. 11, 44-45, another example illustrated.
P.M. Kozol, "Head of a Woman, 1918," American Figurative Sculpture in the Museum of Fine Arts, Boston, Massachusetts, 1986, pp. 383, 385.
Modern American Realism: The Sara Roby Foundation Collection, exhibition catalogue, Washington, D.C., 1987, p. 89, another example illustrated.

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

The plaster model for Head of a Woman was derived from a Tennessee marble head carved by Gaston Lachaise in 1917, first exhibited (as Bust) in early 1918, and sold in 1922 (Museum of Fine Arts, Boston, Massachusetts). That sculpture--and hence the subsequent plaster--was shaped according to an analytical, modernist aesthetic. Lachaise made two bronze casts of Head of a Woman sometime after 1928: these are now in the Wichita Art Museum, Wichita, Kansas, and the Smithsonian American Art Museum, Washington, D.C. Lachaise's widow is known to have issued a posthumous cast, which is unlocated. The Lachaise Foundation, Boston, Massachusetts, established in the early 1960s to oversee the artist's estate, authorized an edition of six bronzes, including the present example, all designated as Estate casts. This example was cast in 1963. The last of these is owned by the Foundation.

We are grateful to Virginia Budny for preparing the catalogue entry for this work.

More from Important American Paintings, Drawings and Sculpture

View All
View All