Julian Opie (b. 1958)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
Julian Opie (b. 1958)

Now that I was no longer lost I felt more relaxed. I stopped to look at old wooden farms with turf roofs and churches made of wood so ancient that it had turned black and had a surface more like stone than wood. I felt pleased with myself for sticking with the project and finding my way across the wilderness. I looked forward to a meal in Oslo and perhaps a better hotel. It would be strange to talk and spend time with people again. I did not know the gallerists I was going to meet and it would be hard to make the shift back to being socially appropriate.

Details
Julian Opie (b. 1958)
Now that I was no longer lost I felt more relaxed. I stopped to look at old wooden farms with turf roofs and churches made of wood so ancient that it had turned black and had a surface more like stone than wood. I felt pleased with myself for sticking with the project and finding my way across the wilderness. I looked forward to a meal in Oslo and perhaps a better hotel. It would be strange to talk and spend time with people again. I did not know the gallerists I was going to meet and it would be hard to make the shift back to being socially appropriate.
signed 'Julian Opie' (on the overlap)
dye on nylon on wooden stretcher
71 x 118in. (180.5 x 301cm.)
Executed in 2004
Provenance
Alan Cristea Gallery, London.
Acquired from the above by the present owner.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

More from Post-War & Contemporary Art

View All
View All