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Untitled Film Still (#40)
Details
CINDY SHERMAN (B. 1954)
Untitled Film Still (#40)
signed, numbered and dated 'Cindy Sherman 1979 2/3' (on the reverse)
gelatin silver print
30 x 40 in. (76.2 x 101.6 cm.)
Executed in 1979. This work is number two from an edition of three.
Untitled Film Still (#40)
signed, numbered and dated 'Cindy Sherman 1979 2/3' (on the reverse)
gelatin silver print
30 x 40 in. (76.2 x 101.6 cm.)
Executed in 1979. This work is number two from an edition of three.
Provenance
Metro Pictures, New York
Private collection, Cologne
Marianne Boesky Gallery, New York
Private collection, Cologne
Marianne Boesky Gallery, New York
Literature
J. Williams, "Images of Woman", Screen, vol. 24, no. 6, November-December 1983, pp. 102, 104, 106 and 107 (illustrated).
P. Schjeldahl and I. M. Danoff, Cindy Sherman, New York, 1984, pl. 25 (illustrated).
E. Barents and P. Schjeldahl, Cindy Sherman, Munich, 1984, pl. 25 (illustrated).
New York, Whitney Museum of American Art, Cindy Sherman, July-October 1987, pl. 25 (illustrated).
A. C. Danto, Cindy Sherman: Untitled Film Stills, New York, 1990, pl. 27 (illustrated).
R. Krauss and N. Bryson, Cindy Sherman 1975-1993, New York, 1993, p. 35 (illustrated).
D. Frankel, ed., Cindy Sherman: The Complete Untitled Film Stills, New York, 2003, pp. 140-141 (illustrated).
P. Schjeldahl and I. M. Danoff, Cindy Sherman, New York, 1984, pl. 25 (illustrated).
E. Barents and P. Schjeldahl, Cindy Sherman, Munich, 1984, pl. 25 (illustrated).
New York, Whitney Museum of American Art, Cindy Sherman, July-October 1987, pl. 25 (illustrated).
A. C. Danto, Cindy Sherman: Untitled Film Stills, New York, 1990, pl. 27 (illustrated).
R. Krauss and N. Bryson, Cindy Sherman 1975-1993, New York, 1993, p. 35 (illustrated).
D. Frankel, ed., Cindy Sherman: The Complete Untitled Film Stills, New York, 2003, pp. 140-141 (illustrated).
Exhibited
Amsterdam, Stedelijk Museum, Cindy Sherman, December 1982, pl. 25 (illustrated, another example exhibited).
Saint-Étienne, Musée d'Art et d'Industrie, Cindy Sherman, December 1983-Janurary 1984, p. 11 (illustrated, another example exhibited).
Tokyo, Laforet Museum Harajuku, Cindy Sherman, April-May 1984, n.p. (illustrated, another example exhibited).
Wellington, National Art Gallery, Cindy Sherman, June-August 1989, n.p. (illustrated, another example exhibited).
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Cindy Sherman: Film Stills, March-June 1995, n.p. (illustrated, another example exhibited).
Museum Boijmans Van Beuningen Rotterdam; Madrid, Palacio de Valázquez, Parque del Retiro, Museo Nacional, Centro de Arte Reina Sofía; Bilbao, Sala de Exposiciones REKALDE and Staatliche Kunsthalle Baden-Baden, Cindy Sherman, March 1996-March 1997, pl. 21 (illustrated, another example exhibited).
San Francisco Museum of Modern Art, Fact/Fiction: Contemporary Art that Walks the Line, February-April 2000.
Aspen Art Museum, Circa 1979, June-July 2004.
Paris, Jeu de Paume; Bregenz, Kunsthaus Bregenz; Humlebæk, Louisiana Museum of Modern Art; Berlin, Martin-Gropius-Bau, Cindy Sherman: Retrospective, May 2006-September 2007, pp. 76, 247 and 316 (another example exhibited and illustrated).
Madrid, Fundación Telefónica, PHotoEspaña 2011, 1,000 caras 0 caras 1 rostro, Cindy Sherman, Thomas Ruff, Frank Montero, May-July 2011, p. 69 (illustrated, another example exhibited).
Saint-Étienne, Musée d'Art et d'Industrie, Cindy Sherman, December 1983-Janurary 1984, p. 11 (illustrated, another example exhibited).
Tokyo, Laforet Museum Harajuku, Cindy Sherman, April-May 1984, n.p. (illustrated, another example exhibited).
Wellington, National Art Gallery, Cindy Sherman, June-August 1989, n.p. (illustrated, another example exhibited).
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Cindy Sherman: Film Stills, March-June 1995, n.p. (illustrated, another example exhibited).
Museum Boijmans Van Beuningen Rotterdam; Madrid, Palacio de Valázquez, Parque del Retiro, Museo Nacional, Centro de Arte Reina Sofía; Bilbao, Sala de Exposiciones REKALDE and Staatliche Kunsthalle Baden-Baden, Cindy Sherman, March 1996-March 1997, pl. 21 (illustrated, another example exhibited).
San Francisco Museum of Modern Art, Fact/Fiction: Contemporary Art that Walks the Line, February-April 2000.
Aspen Art Museum, Circa 1979, June-July 2004.
Paris, Jeu de Paume; Bregenz, Kunsthaus Bregenz; Humlebæk, Louisiana Museum of Modern Art; Berlin, Martin-Gropius-Bau, Cindy Sherman: Retrospective, May 2006-September 2007, pp. 76, 247 and 316 (another example exhibited and illustrated).
Madrid, Fundación Telefónica, PHotoEspaña 2011, 1,000 caras 0 caras 1 rostro, Cindy Sherman, Thomas Ruff, Frank Montero, May-July 2011, p. 69 (illustrated, another example exhibited).
Special Notice
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is such a lot.