Hans Hofmann (1880-1966)
Sold by the Art Institute of Chicago
Hans Hofmann (1880-1966)

White in Blue

Details
Hans Hofmann (1880-1966)
White in Blue
signed and dated 'VII.18.47 Hans Hofmann' (lower right)
oil on canvas
60 x 52¼ in. (152.4 x 132.7 cm.)
Painted in 1947.
Provenance
Estate of the artist
André Emmerich Gallery, New York
Solomon B. Smith, Lake Forest
By bequest from the above to the present owner, 1986
Literature
P. Ellsworth, "Hans Hofmann: Reply to Questionnaire and Comments on a Recent Exhibition", Arts & Architecture, vol. 66, no. 11, November 1949, pp. 22-28 and 45-47.
C. Goodman, Modern Masters Series: Hans Hofmann, New York, 1986, p. 61 (illustrated).
S. Gohr and R. Jablonka, eds., Europa - Amerika : die Geschichte einer künstlerischen Faszination seit 1940, Cologne, 1986.
M. Rush and C. Morris, eds., Hans Hofmann: circa 1950, Waltham, 2008, p. 95 (illustrated).
Exhibited
Addison Gallery of American Art, Phillips Academy Andover, Hans Hofmann: Painter and Teacher, January-February 1948 (illustrated).
Paris, Galerie Maeght, Hans Hofmann, Peintures, January-February 1949, no. 14.
Nagaoka, Niigata Prefectural Museum of Modern Art; Nagoya, Aichi Prefectural Museum of Art and Yokohama Museum of Art, Masterworks of Modern Art from The Art Institute of Chicago, April-September 1994, pp. 182-183 (illustrated in color).

Lot Essay

This work will be included in the forthcoming Hans Hofmann Catalogue Raisonné, sponsored by the Renate, Hans and Maria Hofmann Trust.


Hans Hofmann's trip to Paris in 1949 freshly inspired his art by reminding him of his art historical roots in France. He maintained that "France [had] fertilized the ideas of the whole world," and happily invited such artistic influence (H. Hofmann, quoted in C. Goodman, Hofmann, New York: Abbeville Press, 1986, pp. 61). The 1940s revealed American art as an important influence in the revitalization of the global art scene. However, Hofmann preserved his individuality within United States culture by continuing his loyalty to the tradition of French modernism.

This photograph shows Pablo Picasso's visit to Hofmann's solo exhibition at Galerie Maeght in Paris in January 1949. Picasso rarely viewed galleries during this stage of his life, revealing his confidence in Hofmann's aesthetic and artistic goals. Hofmann had placed himself within the language of the international art community and would remain an inspiration to his contemporaries and future artists.

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