MENG LITANG(19th century)
MENG LITANG(19th century)
MENG LITANG(19th century)
MENG LITANG(19th century)
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LOTS 1965-2003 IMPORTANT PAINTINGS FROM SINGAPOREAN COLLECTOR CHEN XIANLIAO The Singaporean collector Mr. Chen Xianliao originally came from Fujian. His grandfather immigrated to Singapore and managed a palm tree business. His family also owned the Shobang building in Singapore's commercial district. Besides his business ventures, Mr. Chen was very interested in traditional Chinese culture, evident in his collection of Chinese calligraphy, paintings and painted fans. Many Chinese painters held exhibitions in Singapore, due to its vicinity with China, among them were painters from the Lingnan School of Painting such as Zhao Shao'ang, Yang Shanshen, Guan Shanyue, Li Xiongcai, and Rong Shushi, who regularly exhibited there. Mr. Chen was known for his hospitality, especially to Chinese painters; he especially maintained a strong relationship with Yang Shanshen. Beside his magnificent collection of Yang Shanshen works, Mr. Chen also owned several masterpieces by Zhao Shao'ang and other well-known painters.
MENG LITANG(19th century)

Flowers

Details
MENG LITANG(19th century)
Flowers
Inscribed and signed, with in total of seven seals of the artist
A set of four hanging scrolls, ink and colour on paper
Each scroll measures 121 x 30.5 cm. (47 5/8 x 12 in.)
20th Century (4)

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Yanie Choi
Yanie Choi

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Lot Essay

Meng Litang, as known as Meng Guanyi (19th century), is native of Yanghu, Jiangsu province. During Daoguang's reign, Meng and Song Guangbao were hired to teach painting in Guangdong, subsequently moved there permanently and became a locally renowned artist for flowers and birds. Ju Lian first studied under Ju Chao, and eventually both became students of Meng and Song; their styles inherited the essence of Yun Nantien's paintings. The development of the Lingnan School can be perceived as a direct lineage from Yun Nantien, Song Guangbao, Meng Litang, Ju Chao, Ju Lian, Gao Jianfu, Gao Qifeng, to Chen Shuren. Qi Baishi had special affection for Meng Litang and would rank his skill and achievement amongst other classical masters such as Bada Shanren, Shi Tao, Jin Nong and Li Shan, an opinion that might not be shared by the contemporary critics.

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