Anselm Kiefer (b. 1945)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
Anselm Kiefer (b. 1945)

Olympia

Details
Anselm Kiefer (b. 1945)
Olympia
signed and dated 'Anselm Kiefer '89' (on the backing board)
acrylic, emulsion, ashes and lead on gelatin silver print and panel
57½ x 43in. (146 x 109.2cm.)
Executed in 1989
Provenance
Alan Koppel Gallery, Chicago.
Private Collection, Illinois.
Anon. sale, Christie's New York, 14 May 2008, lot 484.
Acquired at the above sale by the present owner.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.

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Lot Essay

Olympia is a poignant work charged with various timeless themes. Drawing from theology and Germanic mysticism, the work also tackles notions around identity, history and man's relationship with nature. Following the collective disruption of the artistic pre-war tendencies through the Second World War, German art struggled to find a form of expression which mirrored and confronted the historical disarray and horror, that was passeded onto those artists emerging in the post-war period. Particularly poised against the influx of American Abstract Expressionism and Pop-art, it is in the works of Anselm Kiefer that we find a unique and original artistic style which instituted a new spirit and established a distinctive German viewpoint in art. Within the same artistic sphere as those European artists, such as Baselitz, Penck or Beuys, Kiefer attempts to dissect this post-war legacy and to establish what it means to be a German artist after 1945. Within the densely orchestrated works by Anselm Kiefer, as exemplified by Olympia, we are able to find a poetic and evocative artistic basis in Post-War European art.

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