Lot Essay
"A crowned king, an emperor or an ex-emperor and the Pope were some of Souza's favoured images. They fitted in with his highly critical view of persons in power, especially those who attain their positions largely by virtue of heredity or convention and who thereafter impose their self-centered and retrogressive views on others." (A. Kurtha, Francis Newton Souza: Bridging Western and Indian Modern Art, Ahmedabad, 2006, p. 165) Here, the king is distinguished by his large crown and brilliantly bold red robe. The elaborately decorated background is something we see in many of Souza's portraits from 1961-62, when he began moving away from his signature cross-hatching technique.