Jan Frans van Bloemen, called l'Orizzonte (Antwerp 1662-1749 Rome)
PROPERTY FROM THE METROPOLITAN MUSEUM OF ART, SOLD TO BENEFIT THE EUROPEAN PAINTINGS ACQUISITIONS FUND
Jan Frans van Bloemen, called l'Orizzonte (Antwerp 1662-1749 Rome)

Landscape with the Communion of Saint Mary of Egypt

Details
Jan Frans van Bloemen, called l'Orizzonte (Antwerp 1662-1749 Rome)
Landscape with the Communion of Saint Mary of Egypt
oil on canvas
38½ x 52 5/8 in. (97.7 x 133.6 cm.)
Provenance
Mr. and Mrs. Harold H. Burns, Stamford, Connecticut, by whom gifted to The Metropolitan Museum of Art, 1966.
Literature
A.B. Vici, Jan Frans Van Bloemen: Orizzonte e l'origine del paesaggio romano settecentesco, Rome, 1974, p. 311, no. 245, as 'late Van Bloemen, with figures possibly by Giuseppe Passeri, Benedetto Luti or Luigi Garzi'.
W.A. Liedtke, Flemish Paintings in The Metropolitan Museum of Art, New York, 1984, I, pp. 3-4; II, pl. 2.
W.A. Liedtke, 'Toward a New Edition of Flemish Paintings in the Metropolitan Museum of Art,' Munuscula Amicorum: Contributions on Rubens and His Colleagues in Honour of Hans Vlieghe, II, Turnhout, 2006, p. 669.
Exhibited
Shizuoka City, Japan, Shizuoka Prefectural Museum of Art, Landscape Painting in the East and West, 19 April-1 June 1986, no. 4.
Kobe, Japan, Kobe City Museum, Landscape Painting in the East and West, 7 June-13 July 1986, no. 4.

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Lot Essay

Nicknamed Orizzonte for his panoramic views, Jan Frans van Bloemen produced some of the finest classical landscapes in Rome during the first half of the 18th century. He began his career in Antwerp, the pupil of his elder brother Pieter. In 1689 he moved to Rome, where he would remain for the rest of his career, and where he became a prominent member of the Bamboccianti, the confraternity of Dutch and Flemish artists active there.

Based on the Roman campagna, van Bloemen's landscapes were inspired by those of Claude Lorrain and Gaspard Dughet in their recession through a series of horizontal planes, warm, even lighting, Arcadian mood, and classical and religious subject matter.

The finely executed figures are likely from a hand other than van Bloemen's; several names have been suggested as their author, but the most probable candidate is Placido Costanzi (Rome 1702-1759), who is known to have contributed figures to other landscapes by the artist.

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