Lot Essay
Dr Alfred Weidinger has confirmed the authenticity of this work.
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Stehendes Mädchen
Details
Oskar Kokoschka (1886-1980)
Stehendes Mädchen
signed 'OKokoschka' (lower right)
brush and India ink on paper
26¾ x 18¾ in. (68 x 48 cm.)
Drawn circa 1919
Stehendes Mädchen
signed 'OKokoschka' (lower right)
brush and India ink on paper
26¾ x 18¾ in. (68 x 48 cm.)
Drawn circa 1919
Provenance
Marlborough Gallery, London (no. 30834.1).
Anonymous sale, Christie's, London, 5 December 2002, lot 116.
Acquired at the above sale by the present owner.
Anonymous sale, Christie's, London, 5 December 2002, lot 116.
Acquired at the above sale by the present owner.
Literature
E. Rathenau,Oskar Kokoschka: Drawings, 1906-1965, New York, 1970, no. 56 (illustrated).
Exhibited
New York, Marlborough-Gerson Inc., Oskar Kokoschka, 1966, no.93 (illustrated).
Kamakhura, Museum of Modern Art, Oskar Kokoschka, 1978, no. 74 (illustrated); this exhibition later travelled to Kyoto, Museum of Modern Art.
Vevey, Musée Jenisch, Hommage à Oskar Kokoschka, 1984, no.86.
London, Tate Gallery, Oskar Kokoschka, June - August 1986, no.169.
New York, Solomon R. Guggenheim Museum, Oskar Kokoschka, December 1986 - February 1987, no.949.
Zurich, Kunsthaus Zurich, Oskar Kokoschka, September - November 1986, no.172.
Kamakhura, Museum of Modern Art, Oskar Kokoschka, 1978, no. 74 (illustrated); this exhibition later travelled to Kyoto, Museum of Modern Art.
Vevey, Musée Jenisch, Hommage à Oskar Kokoschka, 1984, no.86.
London, Tate Gallery, Oskar Kokoschka, June - August 1986, no.169.
New York, Solomon R. Guggenheim Museum, Oskar Kokoschka, December 1986 - February 1987, no.949.
Zurich, Kunsthaus Zurich, Oskar Kokoschka, September - November 1986, no.172.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
Brought to you by
Cornelia Svedman