Yves Klein (1928-1962)
PROPERTY FROM THE COLLECTION OF ALAN DERSHOWITZ AND CAROLYN COHEN
Yves Klein (1928-1962)

La terre bleue

Details
Yves Klein (1928-1962)
La terre bleue
stamped with the artist's star insignia (lower edge); numbered '175/300' (on a paper label affixed to the underside)
dry blue pigment in synthetic resin on plaster
14 x 9 x 9 in. (35.5 x 22.8 x 22.8 cm.)
Conceived in 1957 and executed in 1990. This work is number one hundred and seventy-five from an edition of three hundred.
Provenance
Anon. sale; Christie's, New York, November 1998, lot 372
Acquired from the above sale by the present owner
Literature
P. Wember, Yves Klein, Cologne, 1969, p. 109, no. RP7 (another example illustrated).
P. Restany, Yves Klein, New York, 1982, p. 226 (another example illustrated).
J.P. Ledeur, Yves Klein: Catalogue of Editions and Sculptures Edited, Belgium, 1999, p. 242 (another example illustrated).
N. Charlet, Yves Klein, Paris, 2000, p. 230 (another example illustrated).
H. Weitemeier, Yves Klein: International Klein Blue, Cologne, 2001, p. 83 (another example illustrated).
Exhibited
Paris, Centre Georges Pompidou Musée National d'Art Moderne, Yves Klein, March-May 1983, p. 109, no. 56 (another example exhibited).
Nice, Musée d'Art Moderne et d'Art Contemporain and Museo Pecci Prato, Yves Klein: Long Live the Immaterial!, April 2000-January 2001, p. 184 (another example exhibited and illustrated).
Musée des Beaux-Arts d'Angers, Marie Raymond, Yves Klein, November 2004-February 2005, p. 190 (another example exhibited and illustrated).

Brought to you by

Charlotte Perrottey
Charlotte Perrottey

Lot Essay

The Collection of Alan Dershowitz and Carolyn Cohen

I've always been a collector. As a kid I collected Brooklyn Dodger autographs, baseball cards, comic books, stamps, coins, bottle tops, and anything else that could fit into one drawer in the bureau I shared with my younger brother (and even some things that couldn't, like tropical fish). I never threw anything away (except the dead fish), much to my mother's chagrin.
"What are you gonna do with all that junk?" my mother would ask imploringly.
"It's gonna be valuable someday," I would respond, pointing with pride to my neatly organized treasures.
And they would have been valuable someday-at least the comic books and the baseball cards-had my mother not thrown them out the minute I left home for law school (I lived at home while attending Brooklyn College). I once found a t-shirt that well summarized my plight (and that of an entire generation of young collectors). It said, "I once was a millionaire, then my mother threw my baseball cards away."

I never thought I could afford to collect great art, since I have always lived on a budget. But I bought my first piece of real art for $25 in 1965, when I was a 27 year old assistant professor. I was sent on an all expenses paid trip to Paris by the dean of the law school. His pretense was that he wanted me to look at schools of criminology, but I have always suspected that he really wanted to expose me to European culture, since I was probably the only Harvard faculty member who had never traveled abroad.

While in Paris, I went to a number of art galleries. At one of them, I saw a Kandinsky lithograph. The asking price was the equivalent of $50 (the Franc was quite weak then), but I bargained the owner down to $25. It was my first art purchase and it still hangs proudly in our home.

When Carolyn and I married in 1986 and subsequently moved into a large home with lots of wall space, we became serious collectors. Our tastes are similarly eclectic. We both love "transitional" art - paintings done by artists who were transitioning between periods or genres. Our collection has grown over the years to include impressionist, surrealist and post war paintings and sculptures. We are drawn to art with stories or a history behind it that enhances its aesthetic for us. We love the idea that our antiquities existed in ancient times and are now in a suburb of Boston. We like art that evokes both an emotional and cerebral response.

Now that we are approaching retirement and downsizing, we will continue to collect, but on a smaller scale. We hope our beloved art finds wonderful homes, and we hope to be able to discuss "our" art with anyone who "adopts" it.

--Alan Dershowitz

Christie's is honored to present works from the Collection of Alan Dershowitz and Carolyn Cohen this spring in our 25 April Prints & Multiples Sale, 2 May Impressionist & Modern Art Day and Works on Paper Sales, 9 May Post-War & Contemporary Art Morning Session, 8 June Antiquities Sale, 18 June Interiors Sale, 19 July Prints & Multiples Sale, and 19 September First Open Post-War & Contemporary Art Sale.

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