.jpg?w=1)
PROPERTY FROM A DISTINGUISHED PRIVATE COLLECTION
Robert Gober (b. 1954)
Newspaper
Details
Robert Gober (b. 1954)
Newspaper
signed, numbered and dated 'Robert Gober 9/10 '93' (on the underside)
photolithography on archival Mohawk Superfine paper and twine
6 x 16¼ x 13¼ in. (15.2 x 41.2 x 33.6 cm.)
Executed in 1993. This work is number nine from an edition of ten plus two artist's proofs.
Newspaper
signed, numbered and dated 'Robert Gober 9/10 '93' (on the underside)
photolithography on archival Mohawk Superfine paper and twine
6 x 16¼ x 13¼ in. (15.2 x 41.2 x 33.6 cm.)
Executed in 1993. This work is number nine from an edition of ten plus two artist's proofs.
Provenance
Paula Cooper Gallery, New York
Anon. sale; Sotheby's, New York, 19 May 1999, lot 163
Acquired at the above sale by the present owner
Anon. sale; Sotheby's, New York, 19 May 1999, lot 163
Acquired at the above sale by the present owner
Literature
"Art: Extra! Extra!," The New Yorker, October 1992, p. 20.
J. Rapmund and K. Schampers, eds., Collection Modern Art Boymans-van Beuningen Museum Rotterdam, Rotterdam, 1993, p. 57 (illustrated).
T. Westreich, ed., This is about who we are: The Collected Writings of John Caldwell, San Francisco, 1996, p. 202 (illustrated).
M. Sherlock, "Decoy: Displacements of Loss and Hope," Robert Lehman Lectures on Contemporary Art, No. 1, New York, 1996, p. 117 (illustrated).
Family Values: American Art in the Eighties and Nineties: The Scharpff Collection at the Hamburg Kunsthalle, Hamburg, 1997-2007, p. 28 (illustrated).
M. Piranio, ed. SFMoMA Painting and Sculpture Highlights, San Francisco, 2002, n.p. (illustrated).
M. O'Mahony, American Art, London, 2006, p. 167 (illustrated).
J. Rapmund and K. Schampers, eds., Collection Modern Art Boymans-van Beuningen Museum Rotterdam, Rotterdam, 1993, p. 57 (illustrated).
T. Westreich, ed., This is about who we are: The Collected Writings of John Caldwell, San Francisco, 1996, p. 202 (illustrated).
M. Sherlock, "Decoy: Displacements of Loss and Hope," Robert Lehman Lectures on Contemporary Art, No. 1, New York, 1996, p. 117 (illustrated).
Family Values: American Art in the Eighties and Nineties: The Scharpff Collection at the Hamburg Kunsthalle, Hamburg, 1997-2007, p. 28 (illustrated).
M. Piranio, ed. SFMoMA Painting and Sculpture Highlights, San Francisco, 2002, n.p. (illustrated).
M. O'Mahony, American Art, London, 2006, p. 167 (illustrated).
Exhibited
New York, Dia Center for the Arts, September 1992-June 1993, p. 29 (illustrated, another example exhibited).
San Francisco Museum of Modern Art, Into a New Museum: Recent Gifts and Acquisitions, Part 2, May-October 1995 (another example exhibited).
Rotterdam, Museum Boymans-van Beuningen, Album, the photographic collection of the Museum Boymans-van Beuningen, August-November 1995, pp. 209-211 (illustrated, another example exhibited).
Roskilde, Museet fur SamtidsKunst, Provins-Legende I, February-April 1996 (another example exhibited).
Munich, Staatsgalerie moderner Kunst im Haus der Kunst, Food for the Mind: Die Sammlung Udo und Anette Brandhorst, June-October 2000, pp. 210-223 (illustrated, another example exhibited).
Kunsthaus Zurich and Hamburg, Hamburger Kunsthalle, Hypermental: Rampant Reality 1950-2000 from Salvador Dalí to Jeff Koons, November 2000-May 2001 (another example exhibited).
Baltimore Museum of Arts, BodySpace, February-May 2001 (another example exhibited).
San Francisco Museum of Art, Points of Departure: Connecting with Contemporary Art, March-October 2001 (another example exhibited).
New York, D'Amelio Terras, Stacked, February-March 2003 (another example exhibited).
San Francisco Museum of Art, Between Art and Life: The Painting and Sculpture Collection, July 2004-February 2005 (another example exhibited).
Basel, Schaulager Basel, Robert Gober. Work 1976-2007, May-October 2007, p. 329 (illustrated, another example exhibited).
Charlotte, Mint Museum of Art, Contemporary, Cool and Collected, October-December 2007, pp. 60-61 (illustrated, another example exhibited).
Rotterdam, Museum Boymans-van Beuningen, The Newest Collection, October 2009-February 2010 (another example exhibited).
San Francisco Museum of Modern Art, Into a New Museum: Recent Gifts and Acquisitions, Part 2, May-October 1995 (another example exhibited).
Rotterdam, Museum Boymans-van Beuningen, Album, the photographic collection of the Museum Boymans-van Beuningen, August-November 1995, pp. 209-211 (illustrated, another example exhibited).
Roskilde, Museet fur SamtidsKunst, Provins-Legende I, February-April 1996 (another example exhibited).
Munich, Staatsgalerie moderner Kunst im Haus der Kunst, Food for the Mind: Die Sammlung Udo und Anette Brandhorst, June-October 2000, pp. 210-223 (illustrated, another example exhibited).
Kunsthaus Zurich and Hamburg, Hamburger Kunsthalle, Hypermental: Rampant Reality 1950-2000 from Salvador Dalí to Jeff Koons, November 2000-May 2001 (another example exhibited).
Baltimore Museum of Arts, BodySpace, February-May 2001 (another example exhibited).
San Francisco Museum of Art, Points of Departure: Connecting with Contemporary Art, March-October 2001 (another example exhibited).
New York, D'Amelio Terras, Stacked, February-March 2003 (another example exhibited).
San Francisco Museum of Art, Between Art and Life: The Painting and Sculpture Collection, July 2004-February 2005 (another example exhibited).
Basel, Schaulager Basel, Robert Gober. Work 1976-2007, May-October 2007, p. 329 (illustrated, another example exhibited).
Charlotte, Mint Museum of Art, Contemporary, Cool and Collected, October-December 2007, pp. 60-61 (illustrated, another example exhibited).
Rotterdam, Museum Boymans-van Beuningen, The Newest Collection, October 2009-February 2010 (another example exhibited).
Brought to you by
Charlotte Perrottey