Diego Giacometti (1902-1985)
PROPERTY FROM A WEST COAST COLLECTION 
Diego Giacometti (1902-1985)

Table basse trapézoïdale: modèle aux cerfs et aux chiens

Details
Diego Giacometti (1902-1985)
Table basse trapézoïdale: modèle aux cerfs et aux chiens
stamped twice and with monogram 'DIEGO' (on the cross bar)
bronze with brown and green patina with glass top
Height: 17½ in. (44.5 cm.)
Length: 27¼ in. (69.2 cm.)
Width: 21¼ in. (54 cm.)
Conceived circa 1963; this bronze version cast circa 1976
Provenance
Justin Dart, Los Angeles (acquired from the artist).
Gift from the above to the present owner, circa 1976.
Literature
M. Butor, Diego Giacometti, Paris, 1985, p. 125 (another cast illustrated in color).
F. Francisci, Diego Giacometti, Catalogue de l'oeuvre, Paris, 1986, vol. I, p. 116 (another cast illustrated, pp. 106-107).
D. Marchesseau, Diego Giacometti, Paris, 1986, pp. 84-85 (other casts illustrated).

Brought to you by

David Kleiweg de Zwaan
David Kleiweg de Zwaan

Lot Essay

Diego's earliest stone sculptures, dating from 1935, depict animal motifs, lions and serpents among them. His fondness for their playful forms dominates his oeuvre, their selection frequently suited to the commission: "each...led to a new creation, or at the very least a new combination of parts or a variation in format or decoration: even the replicas have distinct differences" (D. Marchesseau, op. cit., p. 20).

The present and following tables, acquired directly from the artist by Californian businessman and collector Justin Dart and gifted to the family of the present owner shortly thereafter, are adorned with complementary figures--the first with stags and dogs, the second, owls and frogs.

The double signature on the present lot is relatively common. As Daniel Marchesseau writes, "[works were] signed at the foundry according to the sample submitted by the artist. Because of this, some pieces of furniture may bear several signatures. The most remarkable example of this phenomenon is a table [formerly belonging] to James Lord that bears, either inadvertantly or as a joke, four signatures" (ibid., p. 189).

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