Mane-Katz (1894-1962)
PROPERTY FROM A PRIVATE EUROPEAN COLLECTION
Mane-Katz (1894-1962)

Simha Torah

Details
Mane-Katz (1894-1962)
Simha Torah
signed 'Mané-Katz' (lower right)
oil on canvas
44¾ x 57¼ in. (113 x 145.5 cm.)
Painted circa 1950
Provenance
Anon. sale, Christie's, New York, 18 February 1988, lot 100.
Literature
A. Werner, Mané-Katz, Tel Aviv, 1959 (illustrated).
R.S. Aries, Mané-Katz, The Complete Works, London, 1972, vol. II, p. 89, no. 265 (illustrated).

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David Kleiweg de Zwaan
David Kleiweg de Zwaan

Lot Essay

Largely influenced by his Jewish orthodox upbringing in Ukraine, Mané-Katz's works are filled with scenes of life from the ghetto. Despite his geographical location, Mané-Katz always felt that his spiritual home was Israel. His painting pays homage to Simchat Torah, a holiday of growing importance in the 20th century, namely with Jews from the Soviet Union and United States. Unlike Mané-Katz's macabre early works, this later painting is characteristic of those he made after the war, while living in New York. The canvas is full of color and merriment, visible in the brilliantly painted Torah scrolls. Similarly, the musician's stark ivory garb contrasts the black background of the painting and emphasizes the importance of music to this festival, when the faithful dances and sings with the Torah.

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