Lot Essay
After the Virgin and Child seated by the Wall (B. 40; M. 36), engraved in 1514, four years passed before Dürer again took up the subject of the Virgin and Child seated in a landscape. While the former had a slightly nervous, perhaps even disturbing quality, the present work sees a return to a more idyllic, sunny and conservative form. The motif of the two angels first appears in the etching of the Sudarium held by two Angels (B. 25; M., Holl. 26). He also used it in the same context, in the same year as the present work, in a woodcut, The Virgin and Child surrounded by many Angels (B. 101; M. 211).