Anri Sala (b. 1974)
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Anri Sala (b. 1974)

Untitled (Corner)

Details
Anri Sala (b. 1974)
Untitled (Corner)
each: signed, signed with the artist's initials, numbered and dated 'Anri Sala 2004 1/5 AS' (on the reverse)
black and white photograph on baryte paper, in eight parts
image, each: 13 3/8 x 18 1/8in. (34.2 x 46cm.)
sheet, each: 15 7/8 x 19 7/8in. (40.5 x 50.5cm.)
Executed in 2004, this work is number one from an edition of five plus two artist's proofs (8)
Provenance
Hauser & Wirth, London.
Acquired from the above by the present owner.
Literature
F. Meschede and B. Oetker, Etwas von Etwas, Abstrakte Kunst, Cologne 2005 (another set from the edition illustrated, pp. 168-175).
M. Godfrey, H. U. Obrist and L. Gillick, Anri Sala, London 2006 (another from the edition illustrated in colour, pp. 56-57).
Fondazione Nicola Trussardi (ed.), What Good is the Moon? The Exhibitions of the Trussardi Foundation, Ostfildern 2010 (another from the edition illustrated, p. 310).
Exhibited
London, Hauser & Wirth, Anri Sala, 2004 (another from the edition exhibited).
Villeurbanne, Institut d'Art Contemporain, Communauté, 2004 (another from the edition exhibited).
Rotterdam, Museum Boijmans van Beuningen, Anri Sala: Artist in Focus, 2005 (another from the edition exhibited).
Berlin, DAAD Galerie, Dammi i Colori, 2005 (another from the edition exhibited).
Warsaw, Centre for Contemporary Art Ujazdowskie Castle, Anri Sala, 2005 (another from the edition exhibited, illustrated, pp. 70-77). London, Drawing Room, The Secret Theory of Drawing, 2006 (another from the edition exhibited).
Miami, Museum of Contemporary Art North Miami, Anri Sala. Purchase Not by Moonlight, 2008-2009 (another from the edition exhibited, illustrated, pp. 68-69). This exhibition later travelled to Cincinatti, Contemporary Arts Center, Lois & Richard Rosenthal Center for Contemporary Art.
Special Notice
VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.

Brought to you by

Beatriz Ordovás
Beatriz Ordovás

Lot Essay

'Like my life, my work is continuously shaped, inspired and constrained by rupture, and transitory or intermediate stations.'

(A. Sala, quoted in Press Release for Anri Sala: A Second-Look, exh. cat., Hauser & Wirth, London 2007, reproduced at: https://www.hauserwirth.com/exhibitions/19/anri-sala-a-second-look/view) .

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