FORTUNATO DEPERO (1892-1960)
FORTUNATO DEPERO (1892-1960)

Message with Self Portraits, 1915

Details
FORTUNATO DEPERO (1892-1960)
Message with Self Portraits, 1915
3 gelatin silver prints and postage-stamped, handcolored envelope
each with credit by the artist in red/black ink/watercolor (on the recto) and (on the primary mount); each with handcoloring and/or credit annotations in Italian in red/black ink/watercolor (on the reverse of the primary mount); accompanying envelope with annotation 'Carra Milano Corso Venezia -61-' in red/black ink/watercolor (on the recto)
image: each approximately 3 3/8 x 3 1/8in. (8.5 x 7.8cm.)
primary mount: each approximately 4¼ x 3 5/8in. (11 x 9.3cm.)
secondary mount: 18 x 14in. (45.7 x 35.5cm.)
Provenance
The collection of Giovanni Lista;
Sotheby's, New York, Italian Futurist Photographs, November 9, 1982, lot 24
Literature
Lista, Photographie Futuriste Italienne 1911-1939, Musée d'art moderne de la Ville de Paris, 1981; Modernist Masterworks to 1925 from 'the deLIGHTed eye', A Private Collection, International Center of Photography, New York, 1985, p. 8
Exhibited
Photographie Futuriste Italienne 1911-1939, Musée d'art moderne de la Ville de Paris, Paris, 29 October 1981-3 January 1982; Modernist Masterworks to 1925 from 'the deLIGHTed eye', A Private Collection, International Center of Photography, New York, May 15-June 16, 1985

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Lot Essay

Trained as a painter, Fortunato Depero joined the Futurist movement in 1915, six years after Marinetti issued its first Manifesto in Paris. Depero quickly abandoned painting for photography, however, and sent his Message with Self Portraits, one of his first photographic statements, to his fellow Futurist, the painter Carlo Carrà.
Always interested in connecting images with states of mind, Depero used each of his three self portraits to express Anger, Worry and Laughter, three attitudes to be adopted when dealing with the fast pace of the modern world.
Depero's message is an exuberant illustration of Marinetti's art-life-action formula, as well as incorporating the artist's ideas about 'free words' where text becomes an object or may even emit sounds depending on the way it is written, colored or remodeled. Depero, who became a gifted typographer, energized his words with bold printing, clever placement and use of strongly contrasting black and red color washes. Despite the great popularity of photography with many of these second generation Futurists, their work is now extremely scarce and very rarely offered at auction.

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