VALIE EXPORT (b. 1940)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
VALIE EXPORT (b. 1940)

Verfügung

Details
VALIE EXPORT (b. 1940)
Verfügung
signed, stamped with the artist's stamp, titled and dated 'VALIE EXPORT VERFÜGUNG 1976' (lower right); numbered 'A.P.' (on the reverse)
marker pen on gelatin silver print
16¼ x 23¾in. (41 x 60cm.)
Executed in 1976, this work is an artist's proof from an edition of three plus one artist's proof
Provenance
Acquired directly from the artist by the present owner.
Exhibited
Berlin, Studio Galerie Nike Steiner, Documents from Actions and Performances, 1978 (another from the edition exhibited).
Rome, Galleria Nazionale d'Arte Moderna, Donna: Avanguardia Femminista negli anni '70 dalla Sammlung Verbund di Vienna, 2010 (another from the edition exhibited, illustrated in colour, p. 100).
Lodz, Museum Sztuki, Looking for a Head to Inhabit, 2011 (another from the edition exhibited).
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

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Lot Essay

'One of the first female artists to exploit film and video, Export's work, perhaps more than anything else, is a meditation on the mediated subject. Everywhere in her hybrid practice one discovers the camera's lurking gaze, sometimes discreetly recording her public interventions, while, in others it becomes an explicit (and invasive) instrument of physical deconstruction.' (C. Labelle, 'VALIE EXPORT', in frieze, Issue 60, June-August 2001).


VALIE EXPORT's Body Configurations photographic series is an expansion of these themes. In this series executed during the 1970s and 80s, the artist contorted herself into the spaces created by urban architecture or the natural landscape, literally becoming part of the architectural landscape. 'Historical buildings were selected that possess a particular significance but aren't so domineering that the human figure appears to be merely an accessory,' VALIE EXPORT said of the works, 'it's a play on the ornamental in architecture. I always sought out very austere details in the city, combining them with the body's ornamentalism. Mostly I chose geometrical structures. I work a lot with the triangle symbol, for me this geometrical form is an important expressive medium,' (VALIE EXPORT quoted in, Y. Dziewior 'Interview', VALIE EXPORT: archiv, exh. cat., Bregenz, 2012, p. 88).

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