Raoul Dufy (1877-1953)
Property of Carolyn and Bill Powers
Raoul Dufy (1877-1953)

La place d'Hyères l'obélisque et le kiosque à musique

Details
Raoul Dufy (1877-1953)
La place d'Hyères l'obélisque et le kiosque à musique
signed 'Raoul Dufy' (lower center)
oil on canvas
14 7/8 x 18 1/8 in. (37.8 x 46 cm.)
Painted in 1927
Provenance
Emilienne Dufy, Nice (wife of the artist).
M. and Mme Charles Vildrac, Paris (by 1959).
Private collection, Quebec (1972); sale, Christie's, New York, 5 November 2003, lot 255.
Grosvenor Fine Arts Ltd., London (acquired at the above sale).
Acquired from the above by the present owner, October 2004.
Literature
G. Besson, Dufy, Paris, 1953, p. 27.
M. Laffaille, Raoul Dufy, Catalogue raisonné de l'oeuvre peint, Geneva, 1973, vol. II, p. 84, no. 505 (illustrated; with incorrect provenance).
Exhibited
Paris, Galerie Bernheim-Jeune-Dauberville, Chefs-d'Oeuvre de Raoul Dufy, April-July 1959, no. 12 (titled Hyères. Le kiosque à musique and dated 1926).

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Stefany Sekara Morris
Stefany Sekara Morris

Lot Essay

Gertrude Stein famously wrote of Raoul Dufy: "One must meditate about pleasure. Raoul Dufy is pleasure. To know to know to love her so. You have to really love what is to have pleasure and Dufy does really love what is and we have the pleasure." Dufy's oeuvre is justly celebrated for colorful, picturesque, playful views of city streets, beaches, horse races, ports and studios. In La place d'Hyères l'obélisque et le kiosque à musique, the open square invites the viewer to be surrounded by the palm trees, tall-shuttered windows and white washed buildings typical of southern French villages. The idyllic tranquility of the scene is finely realized in the artist's distinctive palette of deep blues, peaches and bright reds. Perhaps in the early morning before the hustle and bustle of daily traffic, Dufy here offers an elegant corner of Hyères to "meditate about pleasure."

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