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PROPERTY FROM A PRIVATE EUROPEAN COLLECTION
August Macke (1887-1914)
Abstraktes Muster I
Details
August Macke (1887-1914)
Abstraktes Muster I
watercolour and gouache on tracing paper
10 5/8 x 12 5/8 in. (27 x 32 cm.)
Executed in Bonn in 1912
Abstraktes Muster I
watercolour and gouache on tracing paper
10 5/8 x 12 5/8 in. (27 x 32 cm.)
Executed in Bonn in 1912
Provenance
Galerie Nierendorf, Berlin, by 1958.
Galerie Schweinsteiger, Munich, by 1986.
Galerie Neher, Essen.
Anonymous sale, Villa Grisebach, Berlin, 27 May 2006, lot 177.
Acquired at the above sale by the present owner.
Galerie Schweinsteiger, Munich, by 1986.
Galerie Neher, Essen.
Anonymous sale, Villa Grisebach, Berlin, 27 May 2006, lot 177.
Acquired at the above sale by the present owner.
Literature
G. Vriesen, August Macke, Stuttgart, 1957, no. 217.
J.M. McCullagh, August Macke and the Vision of Paradise, An Iconographic Analysis, diss., Texas, 1980, p. 101.
U. Heiderich, August Macke, Aquarelle, Werkverzeichnis, Ostfildern-Ruit, 1997, no. 222 (illustrated p. 261).
J.M. McCullagh, August Macke and the Vision of Paradise, An Iconographic Analysis, diss., Texas, 1980, p. 101.
U. Heiderich, August Macke, Aquarelle, Werkverzeichnis, Ostfildern-Ruit, 1997, no. 222 (illustrated p. 261).
Exhibited
Bielefeld, Städtisches Kunsthaus, Macke, Aquarell-Ausstellung, 1957, no. 217.
Berlin, Galerie Nierendorf, August Macke, Aquarelle, Bilder, Zeichnungen, 1958, no. 17.
San Diego, Fine Arts Gallery, Color and Form, 1909-1914, The Origin and Evolution of Abstract Painting in Futurism, Orphism, Rayonnism, Synchromism, and the Blue Rider, November 1971 - January 1972, no. 57 (illustrated p. 80); this exhibition later travelled to Oakland, Museum and Seattle, Art Museum.
Berlin, Galerie Nierendorf, August Macke, Aquarelle, Bilder, Zeichnungen, 1958, no. 17.
San Diego, Fine Arts Gallery, Color and Form, 1909-1914, The Origin and Evolution of Abstract Painting in Futurism, Orphism, Rayonnism, Synchromism, and the Blue Rider, November 1971 - January 1972, no. 57 (illustrated p. 80); this exhibition later travelled to Oakland, Museum and Seattle, Art Museum.
Brought to you by
Cornelia Svedman