Hermann Max Pechstein (1881-1955)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
Hermann Max Pechstein (1881-1955)

Stilleben

Details
Hermann Max Pechstein (1881-1955)
Stilleben
signed with the initials and dated 'HMP 09' (upper left)
oil on canvas
17 x 23¼ in. (43.3 x 59 cm.)
Painted in 1909
Provenance
Ludwig & Hedwig Wiener, Breslau, by whom acquired circa 1910-1912, and thence by descent to the present owner.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
Sale Room Notice
Dr Aya Soika has confirmed the authenticity of this work, which is sold with her report issued in consultation with the Pechstein Estate, dated 13 May 2013.

Brought to you by

Antoine Lebouteiller
Antoine Lebouteiller

Lot Essay

Dr Aya Soika has confirmed the authenticity of this work, which is sold with her report issued in consultation with the Pechstein Estate, dated 13 May 2013.


Attracted by the dynamic life of the big city Pechstein was the first of the Brücke artists to move to Berlin in 1908. The bright palette of the present work and the Brücke style in general, naturally prompt comparison with the Fauves in Paris. Pechstein certainly met Kees van Dongen in Paris in 1907 but did not mix with the wider Matisse school, which included fellow Germans, Purrmann, Moll and Grossmann. However, the Matisse exhibition organised in Berlin by Paul Cassirer in January 1909, shortly after Pechstein arrived, would have given the artist time to study the movement more closely.

Heavily painted with bold sweeps of thick colour, Pechstein creates a panorama of form and strong colour that in its density conveys a powerful sense of the solidity and materiality of the still life. It is these features of the work that go beyond anything painted by the Fauves and which distinguish this vibrant still-life as an expressionistic work.

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