Gaspar van Wittel, called Vanvitelli (Amersfoort 1652/3-1736 Rome)
Gaspar van Wittel, called Vanvitelli (Amersfoort 1652/3-1736 Rome)

View of Isola Bella on Lake Maggiore (recto); Details of the same view, with terraced gardens and a mountain range (verso)

Details
Gaspar van Wittel, called Vanvitelli (Amersfoort 1652/3-1736 Rome)
View of Isola Bella on Lake Maggiore (recto); Details of the same view, with terraced gardens and a mountain range (verso)
with inscription 'Lago Maggiore - Isola Bella details' (verso)
pen and brown ink, squared for transfer in black chalk, on two joined sheets
14½ x 38¼ in. (37 x 97 cm.)
Provenance
Bartolomeo Cavaceppi.
Acquired by Vincenzo Pacetti circa 1801.
P. Fatio; his sale, Rauch, Geneva, 13-15 June 1960, lot 404.
with Agnew's, London, The Italian Scene: Drawings by Vanvitelli, 1961, no. 3.
S.F.C. Mieson, Oxford.
Anonymous sale; Christie's, London, 2 July 1996, lot 152.
Anonymous sale; Sotheby's, London, 6 July 2005, lot 149, where acquired by the present owner.
Literature
G. Briganti, Gaspar van Wittel e l'origine della veduta settecentesca, Rome, 1966, no. 36d (recto and verso), illustrated.
A. Zwollo, Hollandse een Vlaamse veduteschilders te Rome 1675-1725, Assen, 1973, p. 168, fig. 210.
W. Vitzthum, Gaspar van Wittel, exhib. cat., Gaeta, Palazzo de Vio, 1980, under no. 63.
G. Briganti, Gaspar van Wittel, Milan, 1996, p. 337, no. D143, illustrated p. 339 (recto and verso).
Gaspare Vanvitelli e l'origine del Vedutismo, exhib. cat., Rome, Chiostro del Bramante, 2002-3, p. 200, under no. 65.
Exhibited
Rome, Galleria Gasparrini, Vanvitelli ed altri vedutisti, 1966, no. 32.

Brought to you by

Hélène Rihal
Hélène Rihal

Lot Essay

Vanvitelli's sojourn at Lago Maggiore resulted in a series of twelve paintings of the Isole Borromee (Briganti 1996, nos. 333-344), executed between 1684 and 1718. Most of them share the viewpoint of the present drawing, with Isola Bella and its splendid landscaped gardens as the focal point. Previously the site of a modest fishing village, the island was developed between 1630 and 1670 by the Borromeo family and named in honour of Isabella d'Adda, wife of Carlo III Borromeo.

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