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Restorers in San Lorenzo Maggiore, Naples 1988
Details
THOMAS STRUTH (B. 1954)
Restorers in San Lorenzo Maggiore, Naples 1988
signed 'Th. Struth' (on a paper label affixed to the backing board)
chromogenic print
35¼ x 50¼ in. (89.5 x 127.6 cm.)
Executed in 1988, printed in 1989. This work is number five from an edition of ten.
Restorers in San Lorenzo Maggiore, Naples 1988
signed 'Th. Struth' (on a paper label affixed to the backing board)
chromogenic print
35¼ x 50¼ in. (89.5 x 127.6 cm.)
Executed in 1988, printed in 1989. This work is number five from an edition of ten.
Provenance
Galerie Max Hetzler, Cologne
Private collection, New York
Anon. sale; Christie's, New York, 19 November 1996, lot 258
Acquired at the above sale by the present owner
Private collection, New York
Anon. sale; Christie's, New York, 19 November 1996, lot 258
Acquired at the above sale by the present owner
Literature
J. Kaila, Thomas Struth, Helsinki, 1996, p. 5 (another example illustrated in color).
T. Weski, N. Bryson and B. H. D. Buchloh, Thomas Struth: Portraits, Munich, 1997, pp. 14-15 (another example illustrated in color).
H. Belting, Thomas Struth: Museum Photographs, Munich, 2005, p. 13 (another example illustrated in color).
A. Kruszynski, T. Bezzola and James Lingwood, eds., Thomas Struth, photographs, 1978-2010, Munich, 2010, p. 81 (another example illustrated in color).
T. Weski, N. Bryson and B. H. D. Buchloh, Thomas Struth: Portraits, Munich, 1997, pp. 14-15 (another example illustrated in color).
H. Belting, Thomas Struth: Museum Photographs, Munich, 2005, p. 13 (another example illustrated in color).
A. Kruszynski, T. Bezzola and James Lingwood, eds., Thomas Struth, photographs, 1978-2010, Munich, 2010, p. 81 (another example illustrated in color).
Exhibited
Köln, Galerie Max Hetzler, Neue Arbeiten, May 1988-January 1989 (another example exhibited).
Prato, Museo d'Arte Contemporanea Luigi Pecci, Another Objectivity/Une Autre Objectivite (3/3), June-August 1989 (another example exhibited).
Krefeld, Museum Haus Lange, Portraits, February-April 1992, p. 13 (another example exhibited and illustrated in color).
Boston, Institute of Contemporary Arts; London, Institute of Contemporary Art and Toronto, Art Gallery of Ontario, Thomas Struth: Strangers and Friends, January 1994-March 1995, p. 55 (another example exhibited and illustrated in color).
Hannover, Sprengel Museum, Die Orte der Kunst, May-September 1994 (another example exhibited).
Toronto, Art Gallery of Ontario, The Bigger Picture: Contemporary Photography Reconsidered, November 2000-Februrary 2001.
Dallas Museum of Art; New York, Metropolitan Museum of Art; Los Angeles, Museum of Contemporary Art and Chicago, Museum of Contemporary Art, Thomas Struth: 1977-2002, May 2002-September 2003, p. 117 (another example exhibited and illustrated).
Berlin, Martin-Gropius-Bau, Warum!, May-June 2003 (another example exhibited).
Diözesanmuseum Freising, Kreuz und Kruzifix, Zeichen und Bild, February-October 2005 (another example exhibited).
Porto, Museu Serralves, Os Anos 80/The 80s: A Topology, November 2006-March 2007 (another example exhibited).
Madrid, Museo Nacional del Prado, Making Time, February-July 2007, p. 37 (another example exhibited and illustrated in color).
New York, Marian Goodman Gallery, 30/40 (Part 1), September-October 2007 (another example exhibited).
Neapel, MADRE, Museo d'Arte Contemporanea Donna Regina, Thomas Struth, January-April 2008, pp. 62-63 (another example exhibited and illustrated in color).
Athen, Museum of Cycladic Art, Thomas Struth, June-April 2009, p. 31 (another example exhibited and illustrated in color).
St. Louis, Pulitzer Foundation, Ideal (Dis-)placements: Old Masters at the Pulitzer, June-October 2009.
Kunsthaus Zürich, Fotografien 1978-2010, June-September 2010.
Prato, Museo d'Arte Contemporanea Luigi Pecci, Another Objectivity/Une Autre Objectivite (3/3), June-August 1989 (another example exhibited).
Krefeld, Museum Haus Lange, Portraits, February-April 1992, p. 13 (another example exhibited and illustrated in color).
Boston, Institute of Contemporary Arts; London, Institute of Contemporary Art and Toronto, Art Gallery of Ontario, Thomas Struth: Strangers and Friends, January 1994-March 1995, p. 55 (another example exhibited and illustrated in color).
Hannover, Sprengel Museum, Die Orte der Kunst, May-September 1994 (another example exhibited).
Toronto, Art Gallery of Ontario, The Bigger Picture: Contemporary Photography Reconsidered, November 2000-Februrary 2001.
Dallas Museum of Art; New York, Metropolitan Museum of Art; Los Angeles, Museum of Contemporary Art and Chicago, Museum of Contemporary Art, Thomas Struth: 1977-2002, May 2002-September 2003, p. 117 (another example exhibited and illustrated).
Berlin, Martin-Gropius-Bau, Warum!, May-June 2003 (another example exhibited).
Diözesanmuseum Freising, Kreuz und Kruzifix, Zeichen und Bild, February-October 2005 (another example exhibited).
Porto, Museu Serralves, Os Anos 80/The 80s: A Topology, November 2006-March 2007 (another example exhibited).
Madrid, Museo Nacional del Prado, Making Time, February-July 2007, p. 37 (another example exhibited and illustrated in color).
New York, Marian Goodman Gallery, 30/40 (Part 1), September-October 2007 (another example exhibited).
Neapel, MADRE, Museo d'Arte Contemporanea Donna Regina, Thomas Struth, January-April 2008, pp. 62-63 (another example exhibited and illustrated in color).
Athen, Museum of Cycladic Art, Thomas Struth, June-April 2009, p. 31 (another example exhibited and illustrated in color).
St. Louis, Pulitzer Foundation, Ideal (Dis-)placements: Old Masters at the Pulitzer, June-October 2009.
Kunsthaus Zürich, Fotografien 1978-2010, June-September 2010.