Lot Essay
Koethers work defines painting as defiantly multipurpose; it provides pleasure, incites thought and questions assumptions about taste and technique. For much of the 1990s, she mixed graffiti-inspired brushwork [], fragmented images and assorted quotations on surfaces that had a vibrant, all-over undergrowth
(R. Smith, Jutta Koether, in The New York Times, 15 April 2005, https://query.nytimes.com/gst/fullpage.html [accessed 10 September 2013]).
(R. Smith, Jutta Koether, in The New York Times, 15 April 2005, https://query.nytimes.com/gst/fullpage.html [accessed 10 September 2013]).