A SEVRES (HARD PASTE) CLARET-GROUND ECUELLE, COVER AND STAND (ECUELLE ET PLATEAU 'NOUVELLE FORME')
A SEVRES (HARD PASTE) CLARET-GROUND ECUELLE, COVER AND STAND (ECUELLE ET PLATEAU 'NOUVELLE FORME')

1781, BLUE CROWNED INTERLACED L MARK ENCLOSING DATE LETTERS DD, PAINTER'S MARK CP FOR ANTOINE-JOSEPH LE CHAPPUIS, GILDER'S MARKS 2000 FOR VINCENT, THE ECUELLE INCISED 6E (?)

Details
A SEVRES (HARD PASTE) CLARET-GROUND ECUELLE, COVER AND STAND (ECUELLE ET PLATEAU 'NOUVELLE FORME')
1781, BLUE CROWNED INTERLACED L MARK ENCLOSING DATE LETTERS DD, PAINTER'S MARK CP FOR ANTOINE-JOSEPH LE CHAPPUIS, GILDER'S MARKS 2000 FOR VINCENT, THE ECUELLE INCISED 6e (?)
Of circular form, the écuelle and stand with double-foliate scroll handles with flowerhead terminals, the domed cover with a gilt pomegranate finial, each piece painted with birds perched on branches in landscapes and bird medallions in gilt cartouches supporting a continuous flower garland, gilt dentil rims (slight flaking to claret ground at well of stand, minute chips to finial, slight wear to gilding)
The stand 9¼ in. (23.5 cm.) wide

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Emma Durkin
Emma Durkin

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Lot Essay

Antoine-Joseph le Chappuis (le jeune, later l'aîné) was a painter of birds and flowers at Sèvres between 1761 and 1787.

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