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Lot Essay
Painting images of women, or rather young kawaii women, Aya Takano not only shows how deeply rooted Japan's culture is in animated literature, manga and fantasy but also the psychological need people have for a fantastical escape. The figures in Untitled (Lot 456) and Tokyo Tower (Lot 455) all pay tribute to the imaginative mind of Takano and the audience.
Takano sees the city at night as a place of high-spirited adventure, fantasy and escape and depicts that fleeting moment when the distinction between innocence and youth are purposefully blurred. It is a refreshing vision, an escape from our daily sight of skyscrapers, offices and computers and reminds us of a life beyond our daily existence. Untitled and Tokyo Tower remove the viewer from the monotonous life of work. They also remind the viewer that Takano and Japanese youth manage to meld reality and fantasy.
Untitled is an amalgamation of the imagined city, with colourful masked invaders and frenzied half-human creatures out under the deep dark sky. The large girl who looms over the imaginary world in Tokyo Tower poses in a meditative stance. Provocatively dressed, is she an evocation of a saintly vision or a representation of a modern-day geisha, a creature of the night?
Takano's work often evokes happiness and a sense of optimism. It is not dark or overtly sensuous but mysterious and deep. Whimsical in both colour and subject matter, she is embraced in Japan and internationally for these delicate reflections on our reality and dreams.
Takano sees the city at night as a place of high-spirited adventure, fantasy and escape and depicts that fleeting moment when the distinction between innocence and youth are purposefully blurred. It is a refreshing vision, an escape from our daily sight of skyscrapers, offices and computers and reminds us of a life beyond our daily existence. Untitled and Tokyo Tower remove the viewer from the monotonous life of work. They also remind the viewer that Takano and Japanese youth manage to meld reality and fantasy.
Untitled is an amalgamation of the imagined city, with colourful masked invaders and frenzied half-human creatures out under the deep dark sky. The large girl who looms over the imaginary world in Tokyo Tower poses in a meditative stance. Provocatively dressed, is she an evocation of a saintly vision or a representation of a modern-day geisha, a creature of the night?
Takano's work often evokes happiness and a sense of optimism. It is not dark or overtly sensuous but mysterious and deep. Whimsical in both colour and subject matter, she is embraced in Japan and internationally for these delicate reflections on our reality and dreams.