Circle of Rembrandt Harmensz. van Rijn (Leiden 1606/07-1669 Amsterdam)
PROPERTY OF A PRIVATE COLLECTOR 
Circle of Rembrandt Harmensz. van Rijn (Leiden 1606/07-1669 Amsterdam)

Head of an old woman, traditionally identified as Neeltgen Willemsdr. van Zuytbrouck (1569-1640), Rembrandt's mother, half-length, in a black costume with a fur hat

Details
Circle of Rembrandt Harmensz. van Rijn (Leiden 1606/07-1669 Amsterdam)
Head of an old woman, traditionally identified as Neeltgen Willemsdr. van Zuytbrouck (1569-1640), Rembrandt's mother, half-length, in a black costume with a fur hat
oil on panel, in a painted oval
9 3/8 x 7¼ in. (23.7 x 18.3 cm.)
Provenance
with G. Marseau, Brussels, 1936.
A. Delmotte-Neyrinck, Antwerp, by 1956.
with Salomon Lilian, Amsterdam.
with Noortman, Maastricht.
Literature
(Possibly) C. Hofstede de Groot, A Catalogue Raisonné of the works of the most eminent Dutch painters of the seventeenth century, based on the work of John Smith, London, 1916, VI, under no. 686.
J. Bruyn et. al, A Corpus of Rembrandt Paintings, The Hague, 1982, I, p. 666, under no. C41.

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Lot Essay

This image of an elderly woman is frequently identified as Rembrandt's mother, Neeltgen Willemsdochter van Zuytbrouck, who scholars believe sat for the artist on a number of occasions in the early part of his career. This panel is among the few surviving versions of a composition listed in the definitive Corpus of Rembrandt Paintings, which scholars have concluded records a lost painting by Rembrandt, probably executed c. 1630/31, just before the artist's painting at Windsor Castle showing the same model (see Corpus, nos. C41 and A32). This lost work is known to have influenced several of Rembrandt's pupils: Gerard Dou (1613-1675), for instance, borrowed the expression and dress of the sitter for a number of his oval-shaped portraits that clearly depict the same woman. The present panel was probably executed in Rembrandt's studio in the 1630s.

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