Lot Essay
‘It is without doubt the Mediterranean light which fascinates Scully and cast a spell on him. [...] The relaxed, luminous, and soft aspects of the Wall of light pictures [...] allow us to sense something of the atmosphere of Barcelona’
(A. Zweite, ‘Abstraction and Authentic Experience: Double strategies in the OEuvre of Sean Scully’, in A. Zweite et al., Sean Scully. Paintings, pastels, watercolors, photographs 1990-2000, Düsseldorf 2001, p. 68).
(A. Zweite, ‘Abstraction and Authentic Experience: Double strategies in the OEuvre of Sean Scully’, in A. Zweite et al., Sean Scully. Paintings, pastels, watercolors, photographs 1990-2000, Düsseldorf 2001, p. 68).