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VARIOUS PROPERTIES
Various Artists
A Collection of French Lithographs
Details
Various Artists
A Collection of French Lithographs
a collection of five French lithographs in colours, including: Pierre Bonnard, Le Verger (R.-M. 48), 1899, on Japan paper, signed in pencil, a proof aside from the edition of one hundred, with wide margins, generally in good condition; Maurice Denis, Le Chevalier n’est pas mort à la croisade, 1899, on thin cream wove paper, signed in pencil, numbered no 13 from the edition of one hundred, the full sheet, generally in good condition; Paul Sérusier, Paysage, 1893, on canary yellow paper, signed in pencil, numbered 42 from the edition of one hundred, published in L'Estampe Originale, with their blindstamp, with wide margins, a tear at the left sheet edge, faint creasing at the upper corners; Henri de Toulouse-Lautrec, A l'Opéra: Madame Caron dans Faust (D. 49; W. 39), printed in olive green, on wove paper, numbered in pencil 47, from the edition of one hundred, with the artist's red monogram stamp, the full sheet, generally in good condition; and Edouard Vuillard, Les deux Belles-Soeurs, from: Paysages et Intérieurs (R.-M. 43), lithograph in colours, 1899, on China paper, an impression of the third, final state, from the edition of one hundred, published by A. Vollard, Paris, the colours vibrant, with margins, pale adhesive staining at the left and upper sheet edge, generally in good condition
Bonnard: L. 325 x 355 mm., S. 446 x 561 mm.
Sérusier: L. 232 x 301 mm., S. 421 x 570 mm.
Denis: L. 387 x 278 mm., S. 530 x 407 mm.
Toulouse-Lautrec: L. 355 x 260 mm., S. 380 x 278 mm.
Vuillard: L. 355 x 280 mm., S. 455 x 350 mm.
(5)
A Collection of French Lithographs
a collection of five French lithographs in colours, including: Pierre Bonnard, Le Verger (R.-M. 48), 1899, on Japan paper, signed in pencil, a proof aside from the edition of one hundred, with wide margins, generally in good condition; Maurice Denis, Le Chevalier n’est pas mort à la croisade, 1899, on thin cream wove paper, signed in pencil, numbered no 13 from the edition of one hundred, the full sheet, generally in good condition; Paul Sérusier, Paysage, 1893, on canary yellow paper, signed in pencil, numbered 42 from the edition of one hundred, published in L'Estampe Originale, with their blindstamp, with wide margins, a tear at the left sheet edge, faint creasing at the upper corners; Henri de Toulouse-Lautrec, A l'Opéra: Madame Caron dans Faust (D. 49; W. 39), printed in olive green, on wove paper, numbered in pencil 47, from the edition of one hundred, with the artist's red monogram stamp, the full sheet, generally in good condition; and Edouard Vuillard, Les deux Belles-Soeurs, from: Paysages et Intérieurs (R.-M. 43), lithograph in colours, 1899, on China paper, an impression of the third, final state, from the edition of one hundred, published by A. Vollard, Paris, the colours vibrant, with margins, pale adhesive staining at the left and upper sheet edge, generally in good condition
Bonnard: L. 325 x 355 mm., S. 446 x 561 mm.
Sérusier: L. 232 x 301 mm., S. 421 x 570 mm.
Denis: L. 387 x 278 mm., S. 530 x 407 mm.
Toulouse-Lautrec: L. 355 x 260 mm., S. 380 x 278 mm.
Vuillard: L. 355 x 280 mm., S. 455 x 350 mm.
(5)
Provenance
Each with an unidentified collector's stamp verso.
Brought to you by
Charlie Scott
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