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TO ADD ONE METER TO AN ANONYMOUS MOUNTAIN
Details
ZHANG HUAN (B. 1965)
TO ADD ONE METER TO AN ANONYMOUS MOUNTAIN
signed, titled and inscribed in Chinese, dated and numbered '1995 ap 5/5' (on the reverse)
gelatin silver print
39 1/2 x 59 1/8 in. (100.3 x 187.6 cm.)
Executed in 1995. This work is one of 5 artist proofs from an edition of 15.
TO ADD ONE METER TO AN ANONYMOUS MOUNTAIN
signed, titled and inscribed in Chinese, dated and numbered '1995 ap 5/5' (on the reverse)
gelatin silver print
39 1/2 x 59 1/8 in. (100.3 x 187.6 cm.)
Executed in 1995. This work is one of 5 artist proofs from an edition of 15.
Literature
J. Goodman, 'Zhang Huan', Art in America, September 1999.
C, Carr, 'Stripped Down: China's Foremost Ordeal Artist Emerges in America', The Village Voice, March 2000;
C.C. Yap, 'The Case of the Readymade Mountain', Art Asia Pacific, No. 55, September-October 2007, p. 87 (illustrated);
R. Goldberg, Zhang Huan: Pilgrimage to Santiago, Santiago de Compostela, 2001, p. 178 (illustrated);
M. Coetzee, Rubell Family Collection: Not Afraid, New York, 2004, p. 178 (color print illustrated);
R. Vine, New China, New Art, Munich, 2008, pp. 83 (color print illustrated);
M. Chiu, Chinese Contemporary Art: 7 Things You Should Know, New York, 2008, p. 56 (illustrated).
C, Carr, 'Stripped Down: China's Foremost Ordeal Artist Emerges in America', The Village Voice, March 2000;
C.C. Yap, 'The Case of the Readymade Mountain', Art Asia Pacific, No. 55, September-October 2007, p. 87 (illustrated);
R. Goldberg, Zhang Huan: Pilgrimage to Santiago, Santiago de Compostela, 2001, p. 178 (illustrated);
M. Coetzee, Rubell Family Collection: Not Afraid, New York, 2004, p. 178 (color print illustrated);
R. Vine, New China, New Art, Munich, 2008, pp. 83 (color print illustrated);
M. Chiu, Chinese Contemporary Art: 7 Things You Should Know, New York, 2008, p. 56 (illustrated).
Exhibited
Venice, the 48th Venice Biennial, APERTO overALL, 1999 (another example exhibited);
Paris, Espace Cardin, Paris-Pékin, October 2002, p. 78 (illustrated, another example exhibited);
Hamberg, Kunstverein Hamburg, Zhang Huan, 2002 - 2003, p. 53 (illustrated, another example exhibited);
San Franscisco, The Museum of Modern Art San Francisco, Supernova: Art of the 1990's from the Logan Collection, December 2003 - May 2004, pp. 106-107 (illustrated, another example exhibited);
Beijing, Millennium Art Museum and The Albright Knox Art Gallery, University of Buffalo Art Galleries, The Wall: Reshaping Contemporary Chinese Art, July 2005 - January 2006, p. 178 (black and white print illustrated, another example exhibited);
New York, Asia Society, Zhang Huan: Altered States, 2007 - 2008.
Brisbane, Queensland Art Gallery, The China Project, March - June 2009, pp. 102, 103 (another example exhibited).
Paris, Espace Cardin, Paris-Pékin, October 2002, p. 78 (illustrated, another example exhibited);
Hamberg, Kunstverein Hamburg, Zhang Huan, 2002 - 2003, p. 53 (illustrated, another example exhibited);
San Franscisco, The Museum of Modern Art San Francisco, Supernova: Art of the 1990's from the Logan Collection, December 2003 - May 2004, pp. 106-107 (illustrated, another example exhibited);
Beijing, Millennium Art Museum and The Albright Knox Art Gallery, University of Buffalo Art Galleries, The Wall: Reshaping Contemporary Chinese Art, July 2005 - January 2006, p. 178 (black and white print illustrated, another example exhibited);
New York, Asia Society, Zhang Huan: Altered States, 2007 - 2008.
Brisbane, Queensland Art Gallery, The China Project, March - June 2009, pp. 102, 103 (another example exhibited).
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