Matthias Weischer (b. 1973)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
Matthias Weischer (b. 1973)

Hose

Details
Matthias Weischer (b. 1973)
Hose
signed and dated 'M Weischer 05' (on the reverse)
oil on canvas
30 x 40 cm.
Painted in 2005
Provenance
Galerie Eigen + Art, Berlin.
Acquired from the above by the present owner.
Exhibited
Venice, 51. Esposizione Internazionale d'Arte la Biennale di Venezia, Pavilion of Italy, The experience of art, 12 June-6 November 2005.
Schaffhausen, Museum zu Allerheiligen, Matthias Weischer, Malerei/Painting, 2007-2008 (illustrated, p. 112 ). This exhibition later travelled to Mannheim, Kunsthalle Mannheim and The Hague, Gemeentemuseum Den Haag.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

Brought to you by

Lisa Snijders
Lisa Snijders

Lot Essay

The present lot is featured in the video Arts.21 , Let there be light! Painter Matthias Weischer (https://www.youtube.com/watch?v=L6LOz3zco0Y, accessed on 28 February 2014).

'Weischer's pictures accomplish that phenomenon typical to postmodernism of bringing together everything that actually does not belong together. Matthias Weischer's key theme is that of being a stranger at home.
Weischer's paintings are voids, which remind us how fleeting our "certainties" really are, and how quickly a safe haven can become a territory of horror. No one lives here anymore. But some are trying to return. Matthias Weischer also paints the eternal Sisyphus, who we should think of, claimed Albert Camus, as happy. Fears of reality. But we can also interpret the painted rooms as hopes for reality. Are they still inhabitable, despite being abandoned and destroyed? Is the inexorable question not lurking in one of these enchanted painted corners of how long still? And what would be the case if it was world that was actually meant?
'
(R. Bergmann in 'Nobody lives Here Anymore', Matthias Weischer, Malerei/Painting, 2007-2008, exh.cat., p.77.)

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