Guogu Zheng (b. 1970)
This Lot has been sourced from overseas. When au… Read more
Guogu Zheng (b. 1970)

Computer Controlled by Pig's Brain No. 27

Details
Guogu Zheng (b. 1970)
Computer Controlled by Pig's Brain No. 27
signed & titled in Chinese; signed 'Zheng Guogu' in Pinyin; dated '2006' (on the reverse)
embroidery on canvas
159.5 x 274 cm. (62 13/16 x 107 7/8 in.)
Executed in 2006
Provenance
Private Collection, Europe
Special Notice
This Lot has been sourced from overseas. When auctioned, such property will remain under “bond” with the applicable import customs duties and taxes being deferred unless and until the property is brought into free circulation in the PRC. Prospective buyers are reminded that after paying for such lots in full and cleared funds, if they wish to import the lots into the PRC, they will be responsible for and will have to pay the applicable import customs duties and taxes. The rates of import customs duty and tax are based on the value of the goods and the relevant customs regulations and classifications in force at the time of import.

Lot Essay

Zheng Guogu belongs to the conceptual group of artists in China cal led The Yangj iang Group, which has been active in Guangzhou since 2002. This group of artists encouraged Zheng to experiment with performance art and approach his work conceptually. He received the Chinese Contemporary Art Award (CCAA) in 2006. He started his work with a series of photographs mounted as contact sheets, documenting the lifestyle of young people in his native city Yangjiang, in Southern China. Working with various mediums like photography, painting, video and installation, Zheng Guogu is particularly interested in the influence of popular media and consumer culture in contemporary Chinese society.

In Computer Controlled by Pig's Brain no. 27 (Lot 43), belonging to the Computer Controlled by Pig's Brain Series, Chinese and English scripts are chosen from entertainment magazines, comic strips and the internet. The artist then recreates these texts with neon and fluorescent threads that are sew onto a black canvas. The effect is akin to a large digital advertising billboard or stocks tickers display at the stock exchange. The artist wants to capture the fleetingness and meaninglessness of information created by the media, making his work relevant to the Post-modern era.

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