Johan Lagoor (Gorinchem 1620-1660 Haarlem)
Johan Lagoor (Gorinchem 1620-1660 Haarlem)

A group of olive trees

Details
Johan Lagoor (Gorinchem 1620-1660 Haarlem)
A group of olive trees
signed 'J. lagoor.' (lower left)
traces of black chalk, pen and brown ink, bodycolour, watermark encircled bird with three mounts, partial brown ink framing line at upper edge
7 3/8 x 9 ½ in. (18.8 x 24.4 cm.)
Provenance
Evert Jan Thomassen à Thuessink van der Hoop van Slochteren (1875-1952), Fraeylemaborg; Beyers, Utrecht, 6-7 October 1971, either lot 674 or 675, and probably the latter, which included landscapes.
Exhibited
Rotterdam, Museum Boijmans Van Beuningen, Paris, Fondation Custodia, and Brussels, Bibliothèque Albert 1er, Le Cabinet d’un Amateur: Dessins flamands et hollandais des XVIe et XVIIe siècles d’une collection privée d’Amsterdam, 1976-77, no. 82, pl. 53 (catalogue by J. Giltaij).

Brought to you by

Sarah Vowles
Sarah Vowles

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

This appears to be the only signed drawing by this little-known artist, who is represented by only a few drawings and paintings, and eight etchings, all of which represent landscapes with trees. Born in Gorinchem, Johan (or Jan) Lagoor may have been a pupil of Cornelis Vroom (1591-1661), whose works seem to have exerted a certain influence on his style, but there is insufficient documentation to be sure about his artistic formation. By 1645 he was in Haarlem, where he married and was enrolled in the Guild of Saint Luke, serving as one of the guild officials in 1649. Shortly after this he must have moved on to Amsterdam, where he was declared bankrupt in 1650. The 1976-77 exhibition catalogue (op. cit.) suggested a relatively late date for this drawing, around 1650-55. Considering that it is executed on Italian paper, bearing a bird and three mounts watermark (which may be associated with the manufacture of the Brentano family), and that the trees appear to be olives, it offers tantalising hints of an otherwise unrecorded journey to Italy in the final years of Lagoor's life.

More from The I.Q. van Regteren Altena Collection. Part I

View All
View All