Manolo Millares (1926-1972)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more PROPERTY FROM A PRIVATE AMERICAN COLLECTION
Manolo Millares (1926-1972)

Cuadro III

Details
Manolo Millares (1926-1972)
Cuadro III
signed 'MILLARES' (lower left); signed, titled and dated 'MILLARES - CUADRO 1959' (on the stretcher)
oil, twine and burlap on burlap

23 x 29in. (58.4 x 73.6cm.)

Executed in 1959
Provenance
Arthur and Sons. Ltd., London.
Private Collection (acquired from the above in the early 1960s).
Anon. sale, Christie's London, 02 July 1998, lot 197.
Acquired at the above sale by the present owner.
Literature
A. de la Torre (ed.), Manolo Millares Pinturas Catálogo Razonado, Madrid 2004, no. 134 (illustrated in colour, p. 169).

Exhibited
London, Arthur Tooth & Sons Ltd, La Pintura des Espaaña, Ten Contemporary Spainish Painters (Cruixart, Feito, Lago, Lucio, Méndez, Millares, Saura, Tàpies, Tharrats, Vila-Casas), 1960, no. 22 (illustrated in colour, titled Cuadro II).
Norwich, Norwich Castle Art Museum, Manolo Millares, 1981, no. 40.

Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

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Cristian Albu
Cristian Albu

Lot Essay

‘Art today performs a social function because it can call attention to pustules...The Artist must be able to make it hurt agonizingly. He is “only man, the world, a recorded of things in the raw, a need to express. He follows very closely the despair of our time, watches over it and sews up its wounds; he records it in the scream from the deepest hole and is murdered by its leprosy’
(Millares, quoted in Papeles de son Armadans, no. XXXVII, Madrid-Palma, April 1959).

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