Lot Essay
The Dragon King of the Sea is depicted also in a major bronze group in the Khalili Collection in which he is shown giving the jewel which controls the tides to the deity Susano-O, who takes the jewel as a gift to his elder sister Sun Goddess Amaterasu no Okami (The Khalili Collection, Meiji no Takara – Treasures of Imperial Japan, Metalwork Part II, No. 98). The implication might be that the female figure represents the Sun Goddess in this context, but the confusing iconography, especially the hunting birds, does not allow any clear identification. The two figures are a charming example of Meiji period export art with free use of mythological subjects to create highly decorative yet dignified sculpture.
Suzuki Masayoshi (Masakichi b.1864) studied under Koyosai Hotoku and Nishimura Iyemon. He setup a studio in 1874 and is well known for his model dragons. He was the teacher of Okazaki Sessei who made the monumental bronze shishi which stood at the old Nihonbashi bridge in Tokyo and the Saigo Takamori in Ueno Park.
Suzuki Masayoshi (Masakichi b.1864) studied under Koyosai Hotoku and Nishimura Iyemon. He setup a studio in 1874 and is well known for his model dragons. He was the teacher of Okazaki Sessei who made the monumental bronze shishi which stood at the old Nihonbashi bridge in Tokyo and the Saigo Takamori in Ueno Park.