Josef Albers (1888-1976)
Josef Albers (1888-1976)

Study for Homage to the Square: Ripening

Details
Josef Albers (1888-1976)
Study for Homage to the Square: Ripening
signed with the artist's monogram and dated 'A63' (lower right); signed, titled and dated '"Ripening" Albers 1963' (on the reverse)
oil on masonite
24 x 24 in. (60.9 x 60.9 cm)
Executed in 1963
Provenance
Gimpel & Hannover Galerie, Zurich.
Acquired from the above by the present owner in 1970.
Exhibited
Nuremberg, Nürnberg Kunsthalle, Biennale Nürnberg 1969. Konstruktive Kunst: Elemente + Prinzipien, 1969.
Hamburg, Kunsthalle Hamburg, Albers, 1970.
Munich, Kunstverein München, Josef Albers: Bilder und “Interaction of Color”, 1970.
Further Details
This work will be included in the forthcoming Josef Albers Catalogue Raisonné being prepared by The Anni and Josef Albers Foundation.

Brought to you by

Alexandra Werner
Alexandra Werner

Lot Essay

‘For me colour is my idiom. It’s automatic. I’m not paying “homage to the square”. It’s only the dish I serve my craziness about colour in... All rendering of form, in fact all creative work moves between polarities: intuition and intellect, or possibly between subjectivity and objectivity. Their relative importance continually varies and they more or less always overlap... Colour, in my opinion, behaves like man - in two distinct ways: first in self-realisation and then in the realisation of relationships with others... In other words, one must combine both being an individual and being a member of society’ (J. Albers, quoted in G. Alviani (ed.), Josef Albers, Milan 1988, pp. 235-236).

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