Wenda Gu (b. 1955)
This Lot has been sourced from overseas. When au… Read more
Wenda Gu (b. 1955)

Lost Dynasties J Series D #5

Details
Wenda Gu (b. 1955)
Lost Dynasties J Series D #5
signed, titled and inscribed in Chinese; dated '2006' in Chinese (left side)
two seals of the artist
ink and red color on paper
96.5 x 60 cm. (38 x 23 in.)
Painted in 2006
Provenance
Acquired directly from the artist
Private Collection, Asia
Special Notice
This Lot has been sourced from overseas. When auctioned, such property will remain under “bond” with the applicable import customs duties and taxes being deferred unless and until the property is brought into free circulation in the PRC. Prospective buyers are reminded that after paying for such lots in full and cleared funds, if they wish to import the lots into the PRC, they will be responsible for and will have to pay the applicable import customs duties and taxes. The rates of import customs duty and tax are based on the value of the goods and the relevant customs regulations and classifications in force at the time of import.

Lot Essay

Gu Wenda is very comfortable using the Ink and wash form of artistic expression, whereby large pseudo-characters are set against an abstract ink and wash background. His bold and powerful brushstrokes and the misplaced character structures announce that traditional calligraphy has dislodged Chinese ink and wash aestheticism from its hitherto accepted philological definition. Gu Wenda learned his fundamental calligraphy and Landscape painting skills at the hands of Mr. Lu Yanshao. The visual impact created by outsised characters, saturated in ink, together with the varying shades of light and dark; resulting from the reciprocal action between water and ink; is directly responsible for the illegibility of these pseudo-characters, for it is here that the pure concept of contemporary ink and wash finds emphasis. Gu Wenda's desire to combine and unify written characters and aestheticism, together with his audacious and uninhibited expression, have enabled him to successfully shock the western art world by means of Chinese traditional ink painting.

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